Every add in the Studio (a sticker, a shape, an icon, a text, a frame, a line,
a travel element, a photo from the content panel or a drop), a text style and
a grid of frames appended without looking at the page's cap of 90 elements,
which paste and duplicate already kept. The save then failed with a 400 and
every later save of the book failed the same way. Each of them now leaves a
full page as it is and selects nothing, as a paste does.
The opacity slider committed on every key let go on it, so the Tab that moved
the focus there wrote the value it was last moved to, an empty undo step at
best and another colour's opacity at worst. It commits once after it moved,
on the key or the pointer let go or when the focus leaves.
The Theme panel threw away colours, faces and motifs being tried whenever the
book came back from a save by another editor or the assistant, because the
same theme read anew is a new object. The draft now follows the book's theme
only when the theme itself changed.
The sheet listened on the window in the capture phase, before any control saw
a key. Delete on a focused gradient stop removed the whole shape, an arrow on
the angle dial or the radial centre also moved the shape, and Delete, the
arrows and Ctrl+V pressed on a button of the assistant's window acted on the
page although the window stops its keys. The sheet now listens on the
document as the key bubbles, after every control had it and still before the
page's Escape on the window, and leaves a key whose default was prevented. A
gradient stop takes Delete and Backspace even when the last two stops cannot
go.
The layers panel was a tree a keyboard could not walk: only its toggles could
be focused. The tree is now one stop in the Tab order, the row last focused or
else the selected one. Up and Down move along the rows, Home and End to the
ends, Right opens a group or steps into it and Left closes it or steps from a
member up to its group (mirrored right to left), Enter or Space selects a row
as a click does with Shift adding, and F2 renames it. Enter and Escape in the
name field hand the focus back to its row, and the row in focus is ringed. A
hidden or locked layer that cannot be clicked on the page is reached this way.
Paste style wrote the copied fields straight onto the element, although a
pasted look is meant to be the style operation the assistant sends. It now
runs the engine's own restyle (bookElementStyled): a colour or face pasted by
hand takes the element off the theme, so the next theme applied no longer
brings the old colour back; a plain fill replaces the paint of the shape it
lands on instead of staying hidden under it; and a line takes another line's
look without its points, which are its course, not its look.
A background picked by hand in the inspector kept the page's link to the
theme, so the next theme applied set the page back to the theme's colour. The
picker and the background operation now paint through one helper that takes
the link away (withSpreadPaintByHand). Giving one page's background to every
page carries that page's link along, or takes the others' away when it was
painted by hand.
A built-in layout, a book's own layout and laying a page out again from its
entry ignored locks in the Studio: a locked shape was dropped and a locked
photo poured into a slot unlocked, while the assistant's layout operation left
both where they were. All four now lay a page out around its locked elements
through one function (layoutAroundLocks), which the engine's layout operation
uses too.
Fill page and fill spread kept the photo in its group, so the background
picture was selected and dragged with its caption and listed under the group
at the front. It leaves its group as the engine's fill does, and a group left
with one member goes.
restore_book_layout took any layout the caller sent, so a layout naming a
photo of another journey was kept, and laying a page out on it put that photo
into this book while place_photo refused the same id. The layout is now held
to the rule a page restore states: every photo it names, in a frame, on a map
marker or in the letters of a text, is in the gallery or on a page of the book
already, or the call is refused with photo_not_in_gallery.
restore_book_page and the design apply read the photos of a page in one place
now (book-photo-refs.ts), which counts the photo a text is filled with. A page
put back with letters filled with a photo from outside the gallery is refused
as a frame of it would be, and a designed page whose letter fill photo left
the gallery since is skipped as photo_gone; on a new book's cover the letters
keep their colour instead, as its frame is emptied.
A saved layout keeps no photo of the page it was taken from in its letters, as
it keeps none in its frames, so laying another page out on it no longer
carries that photo along. A layout kept before this fills such letters with
the first photo of the page it is laid on, or leaves them in their colour.
The style operation checks a letter fill photo only when the change sets the
fill, so a title whose photo left the gallery can still be resized or
recoloured, as the text operation already allowed.
The names on the rail and in the tab rows the rebuild puts first (Pages,
Content, Layouts, Elements, Shapes, Text, Photos, Entries) were still English
placeholders in twenty one languages. They carry each language's own word now,
and so does the quotation mark, which the Text tab shows as a word under its
tile instead of only in a tooltip. The Frames tab's name was already translated
in those languages and loses the placeholder mark it still carried.
The help on Studio and the wiki describe the rail as it is: seven sections,
Theme and Layers set apart, the stickers under Elements, and the inspector's
order.
The rail lists its sections in the order a book is made: Pages, Content,
Layouts, Elements and Travel, then Theme and Layers set apart below a rule.
Stickers are a tab of Elements beside the icons instead of a rail section of
their own, and Elements has six tabs (text, shapes, lines, frames with the
grids, icons, stickers). The quotation mark moved to the text styles, the
outline rectangle to the basic shapes and the plain rule to the lines. The rail
and every tab row are tab lists the arrow keys walk through, and a long name
wraps instead of being cut. The icon and sticker searches say in the field how
many match, which the sticker library's own head used to.
Every panel on both sides opens on the same head, and every labelled control
uses one row that moves the control under its label when the two do not fit,
so no label sits in a fixed column any more. Number fields, chips, sliders,
tab labels, theme names and travel cards wrap the same way, a country beside
a stop wraps under itself, and an upload cell holds its words to two lines
with the whole label in its tooltip. The heads, shelves and groups are real
headings, so a screen reader can walk the panels by them.
The inspector shows every kind in one order: what the element is and says,
its position and size, its look, its effects, then Arrange. Align and the
stacking buttons are one Arrange group with a button that opens the page in
Layers; its rows sit under their labels, each in two sets that move to a
second line whole. Rarely used groups start folded and open on an element
that already uses them (a turned element, a map held at a zoom, a summary set
in another face), and every group mounts afresh for the next selection. A
sticker's duplicate angle and opacity are gone in favour of the shared
position group, which now has the turn buttons for every kind. With several
elements selected it keeps their angle, opacity and turn, and the mirror when
all of them are stickers, and leaves the frame's numbers to one element. A
photo's fill page and fill spread sit under its crop. With nothing selected
the inspector shows the page background, the book's theme with the way to the
Theme panel, and the page numbers.
Seventeen translation keys nothing has used since before the rebuild (the old
inspector title, the empty spread note, the summary and country list names,
the roads buttons and others) are gone from every language. The broad key
template the old panels used had counted them as reached; the format names,
the empty photo grid messages and the map source hints are now named where the
key check can read them.
Also fixed on the way: the travel stops list shared its class with the
gradient stops and was laid out as sixteen pixel handles; the alignment
buttons were named in raw English; the map's print resolution note joined its
two halves with a dash.
Both go straight to the server. While an edit of the same tour still waited in
the queue, the restore went out first and its answer replaced the cached edit,
and the edit replayed afterwards planned the track over again. A copy copied
the server's older line instead of the one on screen. Both now wait the way the
actual track writes do: offline, behind a queued write of the tour, or for a
tour the server has not got yet they refuse with OnlineOnlyError, and the
planner says a connection is needed and the waiting changes go first, in all
27 languages.
The search behind propose_hike_leg_way is kept for a while under the spots of
the hike, but it kept the finished points of the first call. A later call over
the same spots in another form, such as a round trip given with its way back as
its last point, or with other names or stage ends, got the first call's points
back, and its create_with no longer came back to the start. The search now keeps
only the pins that hold each way, and each call sets them on its own points.
A new point within 25 m of a saved one took that point's key, name and place
link, even when another new point already stood on it. A stop put in just
before a stop a stage starts at took the stage's key, so the stage left its
day and the undo could not bring it back. The saved points are now matched one
to one, the nearest pairs first, so a point standing on a saved one keeps it.
The points a hike is changed through carry no shaping mark, so an inserted or
removed stop and a reshape turned every shaping point into a stop. A via point
standing on a saved shaping point now shapes the line still, unless a stage
ends there.
A GPX import keeps no points of its own, and the tour read makes up a start
and an end from its line. update_tour with reshape turned or closed those two
made up points, so the recorded line was replaced by a router line between its
ends. A reshape of a tour without points of its own is now refused with the
recorded track wording, before anything is planned or saved.
The full screen chat is a modal dialog but left the focus on the trip behind
it. It now takes the focus when shown, keeps Tab inside and hands the focus
back when set aside or closed, through the helper MSheet now shares. The
dropdown panels take the focus onto their first entry, close on Escape and
give the focus back to their button; the history and menu buttons say
whether their panel is open, and the open chat is announced as current.
The home chat's trip list opened before its trips had loaded, so the focus
stayed on its button and no trip could be reached by keyboard; the first trip
now takes the focus once the list is there. The header's menu says whether it
is open, and closed by Escape or a pick it hands the focus back to its
button, so the next Escape closes the window again. The open chat in the
history list is announced as the current one.
The home chat kept every write whose arguments named no trip and no journey,
so the journey group brought update_journey_entry, delete_journey_entry and
reorder_journey_entry_photos (they name only the entry) and the Dawarich
journal entry (it names the journey as journalId). The writes of the
journey's controllers now stay out by their controller, and journalId counts
as a journey, as the home chat's own contract and prompt say.
The open changes of a thread are now the ones still inside their decision
window. A call older than a day already reads as expired in the thread and
can no longer be decided, but it stayed approval_requested until the nightly
sweep, so "+ Tour", "+ Day" and "Plan this" answered decide_first with
nothing left to decide, and a decision had to name the expired call too.
listOpen takes the window's start, and every caller passes the same cutoff.
multer 2.5.0 (GHSA-q7qp-rjg7-q26m), undici 7.30.1 and 8.12.3 (GHSA-4qv8-2p9j-2685,
GHSA-f72v-6w45-q472, GHSA-xjj6-f33q-929c), nodemailer 10.2.1 (GHSA-8c8m-p3m8-cjg8,
GHSA-m943-m63m-w62w, GHSA-85x2-q946-cp5h) and fast-uri 3.1.9 (GHSA-w74x-v6f9-j3xg and
three more). The server's own ranges and the root overrides hold the fixed versions as
floors, the nested undici of isomorphic-dompurify's jsdom included.
- design_book takes a brief (energy, decoration, collages, theme), a cover
archetype and a cover lockup, and pages.overrides that give single pages of
the plan another beat or layout. Directives written before parse as they
did, and a design asked for none of it is composed exactly as before.
- The engine composes the seven cover archetypes from the book's own photos,
words, theme faces and colours, lockups, shapes and stickers, varied by the
seed: spine band, poster pop, cut-out, illustrated postcard, grid and
badge, minimal serif and stamp collage. A title the directives give a
display tier is held to it, and the notes say when a band, a badge or a
stamp holds it smaller or a cover leaves a layout out.
- A lively or loud book turns two in five hero and grid spreads into
collages, script overlays, badge grids, stamp rows or two-tone splits, the
first of them always, turns and frames the prints of its other pages, sets
its cover title larger and takes one or two, or three to six, stickers of
its theme's motifs a spread, never over words, a photo's detail or the
fold. A calm book asked for collages gets them and nothing else.
- Every turn the engine gives a print or a sticker stays within what the
brief's energy takes, a calm book's within its theme's own, so a design is
never judged against its own brief.
- New checks name a flat cover, a page without a lead, colours or faces off
the theme and, for a design made with a brief, a book livelier or calmer
than it asked, on the pages the design made and on a page revised in the
draft. Page edits answer with the art checks too, and the assistant's
cards name them in every language.
- list_book_assets lists the shapes, faces, lockups, themes and patterns
beside the stickers, and the Studio's shape groups and photo frames are one
list the assistant reads too.
- The Studio prompt gains an index of themes, archetypes and faces and JSON
recipes of the elements to add and style for each cover and three lively
spreads, and a turn that designs the book may preview sixteen pages, still
three images a request; a viewer is told of none of it.
The Templates section of the rail now opens on the decorated templates of
the page's kind, covers two to a row and spreads at full width, each card
the page renderer drawing the page the click will lay: this page's photos
and words in it, in the book theme, a cover in the journey's title and
subtitle as the assistant's layout sets it. A row of style chips narrows
the set to one archetype. A click is one undo step on the page as it is
then, refused for the other kind of page, and opens the photos when frames
are left empty. The book's own layouts and the built-in wireframes follow
below, and the help guide and the wiki describe the panel as it now is.
The panel moved out of StudioSidebar into its own file; the sidebar keeps the
rail, and its two physical sides went with the code, so the rtl baseline
entry goes too. The Travel panel and a template's map build the journey
they draw with one helper.
A decorated template is a whole designed page kept as data: full document
elements in fractions of the page they were drawn on, with roles for the
photos and words a page brings, links to the theme for its colours and
faces, groups for its lockups (a title with its date line, a badge with its
words, a stamp with its postmark) and an archetype with tags. Seven cover
archetypes in three variants each and sixteen double spreads ship in
shared/src/book/templates/data.
Laying a page out on one pours its photos into the photo roles in order and
its words into the title, subtitle, date, story and caption roles, takes
the words it has none for from the book or the journal entry, sets the
template in the book theme, scales it to the page format with its bleeds
on the bleed of that page, and parks what has no room, a date line the date
mark was not made of included. A text set on a colour is made to read there
at the size it was fitted to, on a band of ink or paper when neither reads.
A mark set as text, such as a large quotation mark, is design to every
layout and never taken for the words of a page.
A fitted text keeps the size it was drawn at as its ceiling, so a shorter
title grows back, and every fitted text is now solved with eight percent of
headroom on letter width: set in the browser, the bold condensed faces and
several scripts run that much wider than the letter measure, and a fit at
exactly the measure wrapped its last word out of the frame.
The layout operation of edit_book_page and revise_book_design takes the new
ids as a checked string and keeps the name of a locked group,
list_book_layouts lists them with archetype, tags and roles, and the design
prompt names them. A sibling extract script reads a page drawn in the
Studio back into the format, roles, tints and groups kept.
body-parser before 1.20.9 and 2.x before 2.4.0 can be held up by trailing
bytes after a compressed request body (GHSA-27r3-jxmh-p828). Both majors are
held as floors in the root overrides, express 5 under Nest and the MCP SDK on
2.4.0 and express 4 on 1.20.9, with qs on 6.16.1 as 2.4.0 asks.
- The warmed fonts' key sorts by code units, so the same faces give the same
key in every locale.
- The nearest weight of a snapshot face starts from the first face it has.
- The round hike search names its candidates with their place in the list
explicitly instead of handing map a function of two arguments.
- The element, spread, document, page operation and card unions carry a
name of their own, so the declarations of every schema that holds them
refer to them instead of spelling them out again. The shared declarations
shrink from 9 to 5.5 MB and the server's typecheck from 4.4 to 2.9 GB, so
the build fits the image's 4 GB again.
- edit_book_page and revise_book_design take add by what the element is,
with an id of its own; its look follows with style by that id in the same
call, every look field described once. A change an assistant card kept
with its look on add still reads and runs.
- restore_book_page states what every element has once, then each kind's
own fields and the type the five travel kinds share, without defaults; the
page is read as a spread again before it goes back.
- The theme links are explained once in the page edit's description, and
style points a text's face, a shape's paint and outline and a photo's crop
look at their one full description.
- The lockup roles live in a module of their own, so the operation schemas
no longer import the lockup engine, whose cycle left the operations unset
in the shared tests.
- The theme switches no longer fall through a comment, the newer document
test follows the current revision, the line inspector names its stroke
keys, a text's anchor reads no physical side, two shapes record the
proportions they are drawn at, and the photo look and line tests follow
the slider and the folded ornaments.
- A text can be cased (capitals, lower case, small caps), placed at the top,
middle or foot of its frame, outlined, given a hard shadow or a marker band,
bent on an arc or round a circle, filled with a gallery photo or left
hollow, and shrunk to fit its frame. Every effect prints as vector: copies
and strokes for HTML type, textPath and a clip over an <image> for SVG.
- Fitting is solved when the text is edited, in the Studio and in the edit
engine, and stored; the chosen size is kept as the ceiling.
- Text sizes reach 400 pt and tracking 1.5 em.
- The Elements panel opens on a Text tab: the plain styles and 24 lockups
(titles, badges and stamps, chapter marks, quotes, captions, places), each
drawn with the book's own title and placed as one group.
- The assistant sets every effect through style and add, places a lockup with
add_lockup, reads the effects in describe_book_page and gets two new
findings (curve_overflow, effect_heavy) beside photo-fill and band checks.
- Book format revision 6.
- Fifty more shapes: arches, paper cut-outs (leaves, coral, weed, organic
circles, a wonky star and sun), stamps, a postmark, a rosette, tags and
ticket stubs, sunbursts, ribbons and bands, speech bubbles, drawn arrows,
hearts, stars, photo frames and ornaments (scroll, laurel, fleuron, corner).
The broad ones are photo frames too, and each tile is drawn at its shape's
own proportions, which a new shape is also placed at.
- A cut edge on rectangles, circles, arches and the other broad shapes, painted
or not, and on a photo's cut: zigzag, scallop, a postage stamp's perforation,
wavy, torn and deckle, with a depth in millimetres. Cut in millimetres, so
holes stay round on a wide frame.
- A line element: two to 32 points dragged on the canvas (a handle pulled from
the middle adds one, a double-click removes it), straight or curved, solid,
dashed or dotted, a wave or a zigzag, a hand-drawn wobble, a head on either
end and an ornament in the middle. A shelf of lines and dividers places them.
- The assistant reaches all of it: add and style take the line (its points on
the spread in mm) and the edges, describe_book_page says them, and two new
findings say when a line is too thin to print and when an edge is set on a
shape that takes none. A photo's mask is checked against the shape set
rather than listed again, which keeps the page edit's schema smaller.
- BOOK_SCHEMA_REV goes to 6.
Photos get a look beyond crop, mask and frame style, in Studio and for the
assistant alike:
- border (width and colour, following the mask or the corner radius), a hard
offset shadow and a die-cut cutout edge, all flat vector shapes in print
- zoom 1 to 4 about the focal point and a left to right mirror
- brightness, contrast, saturation and warmth, and a duotone; these are
filters, labelled raster in print in the inspector
- the print resolution of the selected photo in the inspector, with a warning
under 200 dpi, measured from the original
PhotoView moves out of SpreadView into its own file and uses per instance
SVG ids, so a spread drawn twice keeps its clips and filters apart. The style
operation takes the look, describe-spread lists it, the dpi and crop findings
account for zoom and mirror, and a new raster_effect finding notes filters on
a large photo. BOOK_SCHEMA_REV goes to 6.
Zod before 4.6.6 can exhaust memory while it validates an oversized
constrained collection (GHSA-mrhx-c7xc-m3w5), and every request body and
tool call goes through it. The workspaces ask for 4.6.7 and the root holds it
as a floor for the whole tree, so jimp, which pins zod 3 and has no release
on 4, resolves to the same copy. Its option schemas use only object, number,
tuple, literal, union, nativeEnum, boolean, string, instanceof and array,
all of which zod 4 keeps; resize, scaleToFit, crop, cover, contain, blit,
composite, rotate, flip, quantize and the jpeg and png encoders run on it.
The add button reads "+ Page" with the full "Add page" as its title and
accessible name, so it no longer wraps onto two lines. The elements panel's
tabs size to their word and break onto a second row when they do not fit,
where equal widths cut the longest word.
A GPX file that mixes routes and tracks gives each its own text: the pieces
are matched to the reader's rows by kind, routes first as the reader gives
them, where they were paired by index and a route got a track's points. The
place pictures reach the network through a small repo instead of the api
module, the wanderer parity case and the tool catalog test allow wanderer,
and the knip and theme baselines follow the lower counts.
The demo gate test allows wanderer as the parity harness does, the open tour
store is listed in the store registry, the trip chat card's test reads the
dates and not the question's hidden label, the lightbox leaves the rtl
baseline, and the tours module is formatted.
The output items of a step were replayed as they came, web search calls
included. With store false the provider cannot resolve such a call again and
refused the next step with HTTP 400, which ended the turn with an error right
after a hike was proposed. The search calls are left out of the replay; what
they found is in the answer's text and its sources.
A third scope, home, next to trip and journey: threads that name neither a
trip nor a journey (the CHECK now only forbids both), reached under
/api/assistant by their owner only. A home turn reads the user's trips
through list_trips into a short card (under way, next, later, behind,
undated), offers every read (a trip's on the id the model names, checked by
the tool with the user's rights) and only the writes that take no trip or
journey (atlas, vacation planner, collections, tour library, settings), all
held as change cards. open_trip_chat answers with a card that goes on in
that trip's own chat with the question waiting in its composer.
On the desktop the window opens on the home chat outside a trip; its head
lists the trips to switch into and a switched trip chat has the way back.
On the phone the home chat opens full screen from the dashboard head and the
dock's More list, and the card opens the trip with its chat. Both run on
useAssistantHome.
P6: insert_tour_stop and remove_tour_stop take a place into a saved hike or
city walk as one stop and out again, each the other's undo, with change
cards in the chat. The planner's insertion rule (poiInsertion) moved to
shared so the planner and the server place a stop the same way. "+ Tour" on
a found place holds it as a stop of the saved tour open in the planner.
P7: GPX, KML and KMZ files attached in the chat are read into their tracks
and each is held as a change that takes it in as a hike through
import_tour_gpx, undoable per track; the GPX text stays on the held call.
The assistant can now search a round hike of about a wished length from one
point and the router's other ways for one leg of a hike, with the planner's
own search, and propose each one as a hike card to compare and take. It can
also search the user's wanderer trails, preview one as a card, import it and
check a wanderer tour against its source.
The round search, its loop geometry, the test whether two lines are one way,
the other ways among a router's offers and the pins that hold a chosen way
move to @trek/shared; the planner and the road trip use them from there.
City walk changes take edit, reverse and close_loop; edits alone keep the
saved way and never ask the router. update_tour turns a hike round or closes
its loop with reshape. New MCP tools mirror the Tours tab's REST writes and
reads: update_tour_details, set_tour_route_color, copy_tour,
classify_ski_track, set_paddle_plan, decide_paddle_obstacles,
restore_recorded_track, get_tour_trail_details and find_horse_routes, with
change cards, undo where the answer keeps the values before, and broadcast
parity cases.
The ids of long catalogues (fonts, shapes, patterns) read as a checked string
in the book tools' schemas, so restore_book_page and the page edit stay under
their ceilings. The lightbox takes its reading direction from the language.
Baselines follow the removed avatar upload and the lower counts, the doubled
NEWER constants and three unused imports go, the locale indexes are sorted,
and the place gallery, picture, sheet, inspector weight and paddle tests
follow the merged behaviour.
- The opacity and paint sliders remember the value they were last moved to and commit that when let go, instead of reading the controlled input, which still shows the old value until the parent renders.
- The render test's old-fade shape is star-5; star is not a shape, so the whole fixture failed to parse.
Maurice