A new question is held at the top of the view, so its answer reads from its
first line. When the answer carries steps, a strip of places and cards, its
closing words and the changes to apply ended below the view, and the user
saw only the places found. Once the answer is written, the thread now
scrolls to where those closing blocks begin, or to the bottom when they are
shorter than the view, unless the user scrolled it by hand meanwhile.
The screen texts name the top bar, the rail and the workbench as they are
after the redesign, the travel guide walks through the four tabs, and six
new guides cover what Studio gained since its help was written. Every
Studio picture is taken again, and all texts are translated.
The addons sit in a card per type now, the way every other admin tab sets
its cards, instead of three columns nested in one card. A head card shows
how many of each type are on and finds an addon by its name or description,
with a switch between all, the ones on and the ones off.
Absent means the classic look. Defaulting it wrote the field into every
element the auto layout and the templates build, which moved their parity
fixtures and grew the page tools past their schema ceiling; the new
descriptions are also shorter for the same reason.
The travel tab is four tabs now, figures, maps, countries and marks, and
offers only the newer looks, each dressed in the book's theme and linked to
it. The looks books already hold still draw on their pages exactly as
before; they are just no longer offered.
- Figures: a summary as a poster, a ticket, tiles, a road sign, an
odometer, a handwritten note, a pencil sketch or a band, and each figure
on its own as a medal, on odometer drums or ringed by hand.
- Maps: the route with its photographs, its stops numbered, its two ends
marked or on a dark ground, over satellite or relief imagery, a map per
trip, and a map of each country with its stops alone, cut to its shape.
- Countries: each country as a passport stamp, a visa, an airmail
postcard, its flag in cloth, a map pin, a luggage label or a sketch.
- Marks: the date, the day, the distance, the coordinates and the flag as
stamps, tags, pills, ribbons, die-cut stickers, embroidered patches and
sketches.
The schema gains a summary's and a country's look, seven mark styles and
the numbered and ends stops of a map, all additive, as revision 11.
Also in Studio: the save state is a tile beside who is here, a book a newer
Studio saved is said by an overlay that holds the whole Studio until it
reloads, and the page rail draws the first and the last page beside the
blank inside of their cover. The notifications page and the bell's panel
take the dialogs' look: a head with a tile, cards with an unread dot, and
tools that come forward on hover.
Every piece of the head row is one raised tile of one height: the format
picker moved beside the tools, the assistant and help stand alone, the
close button is square like the rest, and the beta mark is gone. The
layouts tab lays the book's own and the built-in layouts out in sections
and in the same grid as the designed pages. In the theme panel the accent
dots sit in the sheet's corner, the three accents share one name, a font
keeps its name ahead of its kind, a doubled rule is gone, and the
inspector's empty hint is shorter.
The index holds a mountain as many pins named by whoever listed it, at its
foot as much as on top, so a hike up Mt. Takao listed it five times under
names like Mt.Takao, 東京都 高尾山 and 高尾山 (Mt. Takao). Rows that are one
place now merge as a group: like names in one spot for every kind, and for a
summit of the index like names anywhere on the mountain, linked through a
name that carries both scripts. The row kept is an OpenStreetMap object over
an index pin, then the plainest name. Two OpenStreetMap summits stay two.
- Dashboard: a browser that names no time zone (Chrome on Windows for a zone
it cannot map) crashed the world clocks and the whole dashboard. One helper
now reads the browser zone and every reader picks its fallback; a stored
zone the browser does not know is left out instead of throwing (#2694).
- Phone: a leg of a multi-leg train or flight showed only its route, and its
sheet showed the first leg's seat. The day plan subtitle is one helper for
desktop and phone now, so a leg names its own train or flight, platform and
seat, translated instead of the hardcoded "Gl."/"Sitz"; the sheet opened
from a leg shows that leg's number, seat, platform and times (#2701). The
PDF export translates platform and seat too.
- Journey list: the year badge named the year a journey was written, not the
years of its trips; a trip over New Year shows both (#2685).
- A place's description and notes are markdown in the planner but printed as
raw syntax in the PDF export and on a shared trip. Both render it now through
the app's sanitized markdown pipeline, raw HTML stays text (#2692).
Closes#2694Closes#2701Closes#2685Closes#2692
About 2900 strings still carried the `// en-fallback` placeholder and some
3100 more were unmarked English copies, most of them from the Studio, the
assistant, OAuth and the date picker. Every one of them is translated now;
where the English word is the locale's own one (German "Status", "Backup"),
it is kept and marked `// same-as-en`. Placeholders, markup and product names
are unchanged.
"Studio", the photo book editor's name, joins Atlas and Vacay on the
untranslated check's list of names. The baseline drops from 2900 marked and
3100 identical strings to 1 and 158.
Removing a member deleted their membership row only, and the invite link
checked nothing but its own token, so whoever kept the link walked straight
back in (GHSA-wr4c-964p-39jg).
trip_member_removals now notes who another member took off a trip. The invite
link refuses them on preview and on accept with a 403 that says so, old link
or regenerated, and the join page shows that instead of the join button.
Adding them back by name, or through a trip-bound invite or a plugin acting
for a member manager, lifts the note. Leaving a trip yourself leaves none, so
the link keeps working for whoever left and for everybody else.
Every add in the Studio (a sticker, a shape, an icon, a text, a frame, a line,
a travel element, a photo from the content panel or a drop), a text style and
a grid of frames appended without looking at the page's cap of 90 elements,
which paste and duplicate already kept. The save then failed with a 400 and
every later save of the book failed the same way. Each of them now leaves a
full page as it is and selects nothing, as a paste does.
The opacity slider committed on every key let go on it, so the Tab that moved
the focus there wrote the value it was last moved to, an empty undo step at
best and another colour's opacity at worst. It commits once after it moved,
on the key or the pointer let go or when the focus leaves.
The Theme panel threw away colours, faces and motifs being tried whenever the
book came back from a save by another editor or the assistant, because the
same theme read anew is a new object. The draft now follows the book's theme
only when the theme itself changed.
The sheet listened on the window in the capture phase, before any control saw
a key. Delete on a focused gradient stop removed the whole shape, an arrow on
the angle dial or the radial centre also moved the shape, and Delete, the
arrows and Ctrl+V pressed on a button of the assistant's window acted on the
page although the window stops its keys. The sheet now listens on the
document as the key bubbles, after every control had it and still before the
page's Escape on the window, and leaves a key whose default was prevented. A
gradient stop takes Delete and Backspace even when the last two stops cannot
go.
The layers panel was a tree a keyboard could not walk: only its toggles could
be focused. The tree is now one stop in the Tab order, the row last focused or
else the selected one. Up and Down move along the rows, Home and End to the
ends, Right opens a group or steps into it and Left closes it or steps from a
member up to its group (mirrored right to left), Enter or Space selects a row
as a click does with Shift adding, and F2 renames it. Enter and Escape in the
name field hand the focus back to its row, and the row in focus is ringed. A
hidden or locked layer that cannot be clicked on the page is reached this way.
Paste style wrote the copied fields straight onto the element, although a
pasted look is meant to be the style operation the assistant sends. It now
runs the engine's own restyle (bookElementStyled): a colour or face pasted by
hand takes the element off the theme, so the next theme applied no longer
brings the old colour back; a plain fill replaces the paint of the shape it
lands on instead of staying hidden under it; and a line takes another line's
look without its points, which are its course, not its look.
A background picked by hand in the inspector kept the page's link to the
theme, so the next theme applied set the page back to the theme's colour. The
picker and the background operation now paint through one helper that takes
the link away (withSpreadPaintByHand). Giving one page's background to every
page carries that page's link along, or takes the others' away when it was
painted by hand.
A built-in layout, a book's own layout and laying a page out again from its
entry ignored locks in the Studio: a locked shape was dropped and a locked
photo poured into a slot unlocked, while the assistant's layout operation left
both where they were. All four now lay a page out around its locked elements
through one function (layoutAroundLocks), which the engine's layout operation
uses too.
Fill page and fill spread kept the photo in its group, so the background
picture was selected and dragged with its caption and listed under the group
at the front. It leaves its group as the engine's fill does, and a group left
with one member goes.
restore_book_layout took any layout the caller sent, so a layout naming a
photo of another journey was kept, and laying a page out on it put that photo
into this book while place_photo refused the same id. The layout is now held
to the rule a page restore states: every photo it names, in a frame, on a map
marker or in the letters of a text, is in the gallery or on a page of the book
already, or the call is refused with photo_not_in_gallery.
restore_book_page and the design apply read the photos of a page in one place
now (book-photo-refs.ts), which counts the photo a text is filled with. A page
put back with letters filled with a photo from outside the gallery is refused
as a frame of it would be, and a designed page whose letter fill photo left
the gallery since is skipped as photo_gone; on a new book's cover the letters
keep their colour instead, as its frame is emptied.
A saved layout keeps no photo of the page it was taken from in its letters, as
it keeps none in its frames, so laying another page out on it no longer
carries that photo along. A layout kept before this fills such letters with
the first photo of the page it is laid on, or leaves them in their colour.
The style operation checks a letter fill photo only when the change sets the
fill, so a title whose photo left the gallery can still be resized or
recoloured, as the text operation already allowed.
The names on the rail and in the tab rows the rebuild puts first (Pages,
Content, Layouts, Elements, Shapes, Text, Photos, Entries) were still English
placeholders in twenty one languages. They carry each language's own word now,
and so does the quotation mark, which the Text tab shows as a word under its
tile instead of only in a tooltip. The Frames tab's name was already translated
in those languages and loses the placeholder mark it still carried.
The help on Studio and the wiki describe the rail as it is: seven sections,
Theme and Layers set apart, the stickers under Elements, and the inspector's
order.
The rail lists its sections in the order a book is made: Pages, Content,
Layouts, Elements and Travel, then Theme and Layers set apart below a rule.
Stickers are a tab of Elements beside the icons instead of a rail section of
their own, and Elements has six tabs (text, shapes, lines, frames with the
grids, icons, stickers). The quotation mark moved to the text styles, the
outline rectangle to the basic shapes and the plain rule to the lines. The rail
and every tab row are tab lists the arrow keys walk through, and a long name
wraps instead of being cut. The icon and sticker searches say in the field how
many match, which the sticker library's own head used to.
Every panel on both sides opens on the same head, and every labelled control
uses one row that moves the control under its label when the two do not fit,
so no label sits in a fixed column any more. Number fields, chips, sliders,
tab labels, theme names and travel cards wrap the same way, a country beside
a stop wraps under itself, and an upload cell holds its words to two lines
with the whole label in its tooltip. The heads, shelves and groups are real
headings, so a screen reader can walk the panels by them.
The inspector shows every kind in one order: what the element is and says,
its position and size, its look, its effects, then Arrange. Align and the
stacking buttons are one Arrange group with a button that opens the page in
Layers; its rows sit under their labels, each in two sets that move to a
second line whole. Rarely used groups start folded and open on an element
that already uses them (a turned element, a map held at a zoom, a summary set
in another face), and every group mounts afresh for the next selection. A
sticker's duplicate angle and opacity are gone in favour of the shared
position group, which now has the turn buttons for every kind. With several
elements selected it keeps their angle, opacity and turn, and the mirror when
all of them are stickers, and leaves the frame's numbers to one element. A
photo's fill page and fill spread sit under its crop. With nothing selected
the inspector shows the page background, the book's theme with the way to the
Theme panel, and the page numbers.
Seventeen translation keys nothing has used since before the rebuild (the old
inspector title, the empty spread note, the summary and country list names,
the roads buttons and others) are gone from every language. The broad key
template the old panels used had counted them as reached; the format names,
the empty photo grid messages and the map source hints are now named where the
key check can read them.
Also fixed on the way: the travel stops list shared its class with the
gradient stops and was laid out as sixteen pixel handles; the alignment
buttons were named in raw English; the map's print resolution note joined its
two halves with a dash.
Maurice