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Maurice
d2d8b65827
The transition out of the fear act was too brutal: the silence now arrives as a fast pull-away with the hall tail ringing out instead of a 100ms kill, the pivot line trades its impact boom for a slow warm A1 swell (the first calm breath), and the line itself breathes in over 3.4s. Audio review fixes: the wind's swell LFO moves to a series tremolo stage so the release can actually silence it before the cut (it used to warble through the silence and click on stop); the heartbeat's noise layer becomes the intended high-passed click instead of a dull lowpassed thud; dispose() pulls the master to zero before the deferred context close so leaving the show cannot pop.