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Maurice
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On a phone or a folded foldable turned landscape the welcome, address, TREK Cloud and plan screens were taller than the glass: the second choice and the main button sat below the edge and Back was cut at the top. There the explanation and the choices now stand side by side, the explanation pinned while a long plan list scrolls. Every screen centres while it fits and starts at the top when it does not. Upright on an iPad, half of one in Split View and an unfolded foldable, the photo spans the full width and fades only downwards, and the choices stand centred in the room below it. Buttons and fields are pills like the app's, choice cards take the app's card radius, and headings and subtitles balance their lines. In Arabic (and Hebrew, which never ran right to left here) chevrons point along the reading direction and sit at the far edge of their card, the Cloud lockup stays unmirrored on the leading edge, prices and addresses read left to right, and a plan's period no longer touches its price. The slides follow the reading direction. Russian gets Cyrillic stand-ins under the same family names, so the headline keeps a rounded face.