- iOS: microphone usage text for "Take Video", no-export-compliance flag,
ExportOptions.plist for App Store Connect uploads, the unused push
forwarders gone; CI builds with Xcode 26 and lints the property lists.
- Android: version and signing from Gradle properties (unsigned without
them), R8 with keep rules for TREK's and Capacitor's reflective classes,
no Auto Backup of the session cookie, no external file provider path,
template and Firebase leftovers removed, keystores and service accounts
ignored, full-size adaptive icon layers with a monochrome layer; CI also
builds the release APK.
- native-release.yml: signed bundle to a Play testing track and archive to
TestFlight, by hand or on a v* tag, behind the store environment.
- Version handshake: the server reports nativeApi 1, the app refuses a
server below its minimum and tolerates an app older than the offline copy.
- Address screen: privacy policy link, "Try the demo" and "What is a TREK
server?"; the privacy link also in the app's server settings. Three new
native strings in all 27 locales.
- Donation links and the notices asking for one are hidden in the app.
- Store listings for "TREK Travel Planner" in client/fastlane: texts, review
notes with placeholders, privacy and account deletion page drafts, the
feature graphic and icon, a length and image check in CI, and a Playwright
store project with the scripts that turn its captures into screenshots.
- Docs: wiki/Native-Apps.md, README no longer says there is no store app.
Formats the files the client formatting gate listed, and NATIVE-E2E-005 sends its twenty exchange attempts one after another: all at once they reset the test server's connections.
Brings the native apps branch up to dev (NestJS-only server, MikroORM
repositories, tracked sessions, per-domain locales, the lint ratchets) and
ports its new code onto that architecture:
- server: /api/auth/native moves onto injected services. The session is
minted by the auth domain's new LoginSessionService (login bookkeeping and
SessionsService.issue in one transaction), the one-time codes live behind a
NativeHandoffStore port with a capped in-memory implementation that drops
expired codes on write instead of running a timer, both routes declare
response contracts, and the exchange answers { success: true }. Unit and
e2e suites run on createTestModule and the ORM factories.
- shared: native strings for az, et, sk and th, native wired into every
locale, the address placeholder as a full URL.
- client: the account and export changes go into dev's shared hooks
(useAccountSettings, useTripExport), the native server card is a
desktop/phone pair on useNativeServer, the hand-off call moves out of the
page hook into native/, best-effort native failures go through
reportError instead of the console, and the address screen is known to
knip and lint:i18n-keys.
- package-lock.json regenerated on Linux.
The marks module exports components only, so fast refresh keeps it whole and react-refresh no longer counts it; the map by provider id moves to documentProviderIconMap.ts, which every caller now imports.
The overview of a trip's tours decides for itself when it shows, which keeps the planner page hook inside its complexity and length limits, and adds nothing to the camera's key while there is no tour to frame. The elevation helper names its empty case for the strict type check, the self-host wording exemption for the retired Dawarich card goes, the day plan test reads the wrapping pills, and the new tests drop their non-null assertions and loops.
The update dialog now shows the 5.0.0 headliners, Tours, TREK Studio, the assistant and help on every screen in 27 languages, each with a drawing of its own, translated into every language TREK ships. The 4.3.3 cards and their drawings are gone.
Every page of an install with the assistant and AI parsing off asked /api/ai/status and logged the 404 the addon guard answers. The store asks only while an addon opens the route and the install is not managed, and one hook on the desktop window and both phone screens asks again when the assistant or AI parsing is switched.
The map framed its first view for the browser window instead of its own box and then skipped the fit, so a list of cafes across Europe opened on northern France. It now fits the places in its own box with room for the label bar and the controls, fits again when the set of places changes, keeps a view the user moved, opens a single place at town level and keeps a list across the date line on its short arc.
The demo account can look at its Account tab, API keys, MCP configuration,
own AI connection and language, but not change them, and the server already
refuses each of those writes. DemoLock renders such a section dimmed and out
of reach under diagonal stripes in theme tokens, with a small Demo mode badge
and one line saying why; useDemoAccountLock decides, on the desktop settings
and the phone screens alike (a new pair in feature-pairs.json).
Locked: the whole Account tab (profile, password, 2FA, passkeys, deletion),
API keys, the MCP card with its tokens and connected apps, connecting an own
AI model and the language picker, which shows English. The admin of a demo
instance sees everything unlocked, 2FA included, so the old instance wide
"Not available in demo mode" line under 2FA and its key are gone from all
locales.
The old popup was a narrow white card with its own copy of the texts in
eight languages, hex colours and a minute counter on the browser clock. The
new DemoWelcome is a wide dialog on DialogShell with theme tokens only: what
TREK is in one line, the hourly reset with a live countdown in the server's
time zone, the 5.0 highlights to try right away (trip planner with bookings
and costs, Tours with 3D terrain, TREK Studio photo books, live
collaboration, Journey, Atlas, Vacay, Collections, offline use), what the
demo leaves out and what the full version adds, and the link to the source.
Its strings are real i18n keys in a new demo domain file, translated into
all 27 locales. Both dashboards open it instead of the old DemoBanner, which
leaves the theme and format baselines with its file and the test non-null
assertions it held.
The offscreen container is built inside buildGlMap's closure, where the
let lost its narrowing; a const of its own keeps it an HTMLDivElement.
The stage tests hand the stage a t that returns the key, so the toast
reads map.webgl2.terrain there. One floating promise fewer lowers the
eslint baseline to 164.
GHSA-jrc7-96c5-q579 covers every maplibre-gl up to 6.4.0 and has no 5.x
release, so npm audit kept flagging the patched 5.24.0. Moving to 6.15.0
retires the local backport: patch-maplibre.mjs and its postinstall,
predev and prebuild hooks go, along with the Dockerfile copy and its
format-baseline entry. 6.x sanitizes attributions against an allow list.
What the major changes for TREK:
- ESM only, no default export: the engine module imports the namespace
and hands that out as its default, so every caller stays as it was.
- The worker is no longer inlined, and inside a bundle MapLibre cannot
find it next to its own module. The engine sets it from Vite's
?worker&url build before any map, the Leaflet bridge's included.
- WebGL2 only: the probe asks for webgl2 alone, so a WebGL1-only browser
gets the raster basemap instead of a GPUInitializationError.
- 6.9 shapes right-to-left text itself and deprecated setRTLTextPlugin;
the old plugin would replace that and could only run through eval in
the module worker, so MapLibre no longer registers it. Mapbox does.
The lockfile moves maplibre-gl and its own dependencies only; the
Leaflet bridge already allows ^6.0.0 as its peer.
The rhythm test holds the picker to what it does now: it gives the rhythm up
only where no template of the book's styles frames every photo and keeps it.
A design applied over a stored book keeps that book's theme, as the merge has
always done, so the end to end test checks the pages instead. The MCP test
builds its request through the shared schema, a travel mark's frame is read
with its sides spelled out for the client's looser types, and the client's
react-hooks/refs baseline drops to the 555 it holds now.
Every notification gets a tile in the colour of what it is about (a trip, a
message, a booking, packing, a to-do, Vacay, a collection, shared photos, a
tour, an update or an alert) with the sender's face on its corner, the page
and the bell's panel group the list under Today, Yesterday, the weekday or
the date, and answering or following a notification is a proper button.
The server's UTC timestamps are read as UTC for the grouping and the time.
The travel tab is four tabs now, figures, maps, countries and marks, and
offers only the newer looks, each dressed in the book's theme and linked to
it. The looks books already hold still draw on their pages exactly as
before; they are just no longer offered.
- Figures: a summary as a poster, a ticket, tiles, a road sign, an
odometer, a handwritten note, a pencil sketch or a band, and each figure
on its own as a medal, on odometer drums or ringed by hand.
- Maps: the route with its photographs, its stops numbered, its two ends
marked or on a dark ground, over satellite or relief imagery, a map per
trip, and a map of each country with its stops alone, cut to its shape.
- Countries: each country as a passport stamp, a visa, an airmail
postcard, its flag in cloth, a map pin, a luggage label or a sketch.
- Marks: the date, the day, the distance, the coordinates and the flag as
stamps, tags, pills, ribbons, die-cut stickers, embroidered patches and
sketches.
The schema gains a summary's and a country's look, seven mark styles and
the numbered and ends stops of a map, all additive, as revision 11.
Also in Studio: the save state is a tile beside who is here, a book a newer
Studio saved is said by an overlay that holds the whole Studio until it
reloads, and the page rail draws the first and the last page beside the
blank inside of their cover. The notifications page and the bell's panel
take the dialogs' look: a head with a tile, cards with an unread dot, and
tools that come forward on hover.
Every piece of the head row is one raised tile of one height: the format
picker moved beside the tools, the assistant and help stand alone, the
close button is square like the rest, and the beta mark is gone. The
layouts tab lays the book's own and the built-in layouts out in sections
and in the same grid as the designed pages. In the theme panel the accent
dots sit in the sheet's corner, the three accents share one name, a font
keeps its name ahead of its kind, a doubled rule is gone, and the
inspector's empty hint is shorter.
The rail lists its sections in the order a book is made: Pages, Content,
Layouts, Elements and Travel, then Theme and Layers set apart below a rule.
Stickers are a tab of Elements beside the icons instead of a rail section of
their own, and Elements has six tabs (text, shapes, lines, frames with the
grids, icons, stickers). The quotation mark moved to the text styles, the
outline rectangle to the basic shapes and the plain rule to the lines. The rail
and every tab row are tab lists the arrow keys walk through, and a long name
wraps instead of being cut. The icon and sticker searches say in the field how
many match, which the sticker library's own head used to.
Every panel on both sides opens on the same head, and every labelled control
uses one row that moves the control under its label when the two do not fit,
so no label sits in a fixed column any more. Number fields, chips, sliders,
tab labels, theme names and travel cards wrap the same way, a country beside
a stop wraps under itself, and an upload cell holds its words to two lines
with the whole label in its tooltip. The heads, shelves and groups are real
headings, so a screen reader can walk the panels by them.
The inspector shows every kind in one order: what the element is and says,
its position and size, its look, its effects, then Arrange. Align and the
stacking buttons are one Arrange group with a button that opens the page in
Layers; its rows sit under their labels, each in two sets that move to a
second line whole. Rarely used groups start folded and open on an element
that already uses them (a turned element, a map held at a zoom, a summary set
in another face), and every group mounts afresh for the next selection. A
sticker's duplicate angle and opacity are gone in favour of the shared
position group, which now has the turn buttons for every kind. With several
elements selected it keeps their angle, opacity and turn, and the mirror when
all of them are stickers, and leaves the frame's numbers to one element. A
photo's fill page and fill spread sit under its crop. With nothing selected
the inspector shows the page background, the book's theme with the way to the
Theme panel, and the page numbers.
Seventeen translation keys nothing has used since before the rebuild (the old
inspector title, the empty spread note, the summary and country list names,
the roads buttons and others) are gone from every language. The broad key
template the old panels used had counted them as reached; the format names,
the empty photo grid messages and the map source hints are now named where the
key check can read them.
Also fixed on the way: the travel stops list shared its class with the
gradient stops and was laid out as sixteen pixel handles; the alignment
buttons were named in raw English; the map's print resolution note joined its
two halves with a dash.
The Templates section of the rail now opens on the decorated templates of
the page's kind, covers two to a row and spreads at full width, each card
the page renderer drawing the page the click will lay: this page's photos
and words in it, in the book theme, a cover in the journey's title and
subtitle as the assistant's layout sets it. A row of style chips narrows
the set to one archetype. A click is one undo step on the page as it is
then, refused for the other kind of page, and opens the photos when frames
are left empty. The book's own layouts and the built-in wireframes follow
below, and the help guide and the wiki describe the panel as it now is.
The panel moved out of StudioSidebar into its own file; the sidebar keeps the
rail, and its two physical sides went with the code, so the rtl baseline
entry goes too. The Travel panel and a template's map build the journey
they draw with one helper.
- Fifty more shapes: arches, paper cut-outs (leaves, coral, weed, organic
circles, a wonky star and sun), stamps, a postmark, a rosette, tags and
ticket stubs, sunbursts, ribbons and bands, speech bubbles, drawn arrows,
hearts, stars, photo frames and ornaments (scroll, laurel, fleuron, corner).
The broad ones are photo frames too, and each tile is drawn at its shape's
own proportions, which a new shape is also placed at.
- A cut edge on rectangles, circles, arches and the other broad shapes, painted
or not, and on a photo's cut: zigzag, scallop, a postage stamp's perforation,
wavy, torn and deckle, with a depth in millimetres. Cut in millimetres, so
holes stay round on a wide frame.
- A line element: two to 32 points dragged on the canvas (a handle pulled from
the middle adds one, a double-click removes it), straight or curved, solid,
dashed or dotted, a wave or a zigzag, a hand-drawn wobble, a head on either
end and an ornament in the middle. A shelf of lines and dividers places them.
- The assistant reaches all of it: add and style take the line (its points on
the spread in mm) and the edges, describe_book_page says them, and two new
findings say when a line is too thin to print and when an edge is set on a
shape that takes none. A photo's mask is checked against the shape set
rather than listed again, which keeps the page edit's schema smaller.
- BOOK_SCHEMA_REV goes to 6.
Photos get a look beyond crop, mask and frame style, in Studio and for the
assistant alike:
- border (width and colour, following the mask or the corner radius), a hard
offset shadow and a die-cut cutout edge, all flat vector shapes in print
- zoom 1 to 4 about the focal point and a left to right mirror
- brightness, contrast, saturation and warmth, and a duotone; these are
filters, labelled raster in print in the inspector
- the print resolution of the selected photo in the inspector, with a warning
under 200 dpi, measured from the original
PhotoView moves out of SpreadView into its own file and uses per instance
SVG ids, so a spread drawn twice keeps its clips and filters apart. The style
operation takes the look, describe-spread lists it, the dpi and crop findings
account for zoom and mirror, and a new raster_effect finding notes filters on
a large photo. BOOK_SCHEMA_REV goes to 6.
A GPX file that mixes routes and tracks gives each its own text: the pieces
are matched to the reader's rows by kind, routes first as the reader gives
them, where they were paired by index and a route got a track's points. The
place pictures reach the network through a small repo instead of the api
module, the wanderer parity case and the tool catalog test allow wanderer,
and the knip and theme baselines follow the lower counts.
The demo gate test allows wanderer as the parity harness does, the open tour
store is listed in the store registry, the trip chat card's test reads the
dates and not the question's hidden label, the lightbox leaves the rtl
baseline, and the tours module is formatted.
A third scope, home, next to trip and journey: threads that name neither a
trip nor a journey (the CHECK now only forbids both), reached under
/api/assistant by their owner only. A home turn reads the user's trips
through list_trips into a short card (under way, next, later, behind,
undated), offers every read (a trip's on the id the model names, checked by
the tool with the user's rights) and only the writes that take no trip or
journey (atlas, vacation planner, collections, tour library, settings), all
held as change cards. open_trip_chat answers with a card that goes on in
that trip's own chat with the question waiting in its composer.
On the desktop the window opens on the home chat outside a trip; its head
lists the trips to switch into and a switched trip chat has the way back.
On the phone the home chat opens full screen from the dashboard head and the
dock's More list, and the card opens the trip with its chat. Both run on
useAssistantHome.
The ids of long catalogues (fonts, shapes, patterns) read as a checked string
in the book tools' schemas, so restore_book_page and the page edit stay under
their ceilings. The lightbox takes its reading direction from the language.
Baselines follow the removed avatar upload and the lower counts, the doubled
NEWER constants and three unused imports go, the locale indexes are sorted,
and the place gallery, picture, sheet, inspector weight and paddle tests
follow the merged behaviour.
Elements can be grouped on a page and picked, moved, resized, aligned and
restacked as one. A layers panel lists the page front to back with lock,
visibility, rename and drag to restack. The sheet gains marquee selection,
arrow-key nudge, one box that resizes a multi-selection with Shift holding
the proportions, and the design-tool shortcuts. The inspector lines a
selection up and spaces it out, and copies and pastes a style.
The assistant gets the same through the group, ungroup, name and hide
operations, and describe_book_page lists the groups. The format gains the
optional group, name and hidden fields and a spread's group names, so
BOOK_SCHEMA_REV goes to 2.
A new element kind, sticker, draws layered vector illustrations from a library in twelve themes, behind its own entry point @trek/shared/stickers. Studio gets a Stickers rail section (themes, localized search, recently used, click or drag to place) and an inspector for colour slots, mirroring, turning and opacity. The assistant gets list_book_assets, add and style of stickers in edit_book_page, stickers in describe_book_page and an overlap warning for a sticker over words. BOOK_SCHEMA_REV goes to 2.
- A shape and a page take a paint: one colour with its own alpha, a linear or
radial gradient of two to six stops, or one of twelve patterns (checks,
gingham, stripes, pinstripes, dots, polka dots, zigzag, waves, grid, scales,
sunburst, confetti). fill, gradient and background keep the colour that
stands for the paint, so an older reader still draws something close, and a
plain colour or the old cover fade is stored in the old fields alone.
- Gradients render as SVG in user space with ids per mounted copy, so the two
halves of a spread in page mode never share a defs id; patterns are drawn
out as geometry clipped to the outline and capped at 2000 primitives.
- The new paint picker has none, solid, gradient and pattern tabs, a stop bar
to click, drag and pull stops off, an angle dial, a radial centre pad and
pattern tiles drawn by the page's own generator.
- Every swatch row gains the book's own colours, colours read from the
page's photos, recent colours and, where it applies, an opacity slider.
- With nothing selected the inspector sets the page background, gives it to
every page of its kind, and lays a photo under the whole page.
- The assistant's background operation takes a paint as well as a colour,
style and add set a shape's paint, and describe_book_page reads both.
- BOOK_SCHEMA_REV goes to 2.
The book catalogue grows from 7 families to 34, all self-hosted through
@fontsource under the SIL OFL 1.1 or the Apache License 2.0: condensed and
poster faces, heavy retro display, elegant display serifs, Montserrat, twelve
scripts and DM Mono. Weights run from 100 to 900, each family offering only
the weights it ships, and the serifs gain real italics.
The catalogue lives in @trek/shared (book-fonts.data.ts) with each family's
roles (display, heading, body, script, mono), weights, italics and letter
width, so the Studio, the findings, the design engine and the assistant read
one list. Page operations and the design engine set a weight a family lacks
at its nearest one, describe_book_page names the role and the weight, and
font_mix no longer counts scripts and mono faces, warning above three.
The Studio gets StudioFontPicker: the current family set in itself, a
searchable list grouped by kind with every family in its own face and the
book's own families first, and a weight slider over the weights the family
has. Faces load only when used; the assistant's page snapshot embeds only the
faces a page draws, the service worker installs only the latin files of the
original seven families, and the faces of an opened book are cached for
offline use. BOOK_SCHEMA_REV goes to 2.
- The editor's 'Pick a picture' is the one place a place's picture is set, on
the desktop dialog and the phone sheet alike: upload one from the device,
keep the current one (now shown as chosen), take an image attached to the
place, or one of the sources' photos, or remove it. Nothing is sent before
the save: the upload and the attached file are put in place once the place
is saved, so Cancel leaves the picture as it was and a new place can get
one too. Without the details column the same picker sits in the form.
- The view (inspector and phone sheet) shows the picture plainly; a click opens
the gallery of its own picture and its sources' photos.
- The gallery drops an answer that arrives after the place changed, and its
credits link to their source pages. The lightbox is a labelled modal dialog
that takes and gives back focus, names its arrows and follows the reading
direction.
- The picker leaves the details column (PlaceImagePicker), the column reads
the shared enrichment cache, and PlaceAvatarUpload and usePlaceImagePick,
which only the view used, are gone.
Figures, countries, maps and marks placed from the panel are the elements the
assistant adds, built by the shared factories; the panel keeps only their
placement. A trip map no longer carries the whole journey's trail, switching a
map's scope re-cuts it the way the engine does and clears the roads of the old
legs, and switching back to the whole journey restores the trail.
Maurice