- The warmed fonts' key sorts by code units, so the same faces give the same
key in every locale.
- The nearest weight of a snapshot face starts from the first face it has.
- The round hike search names its candidates with their place in the list
explicitly instead of handing map a function of two arguments.
- The element, spread, document, page operation and card unions carry a
name of their own, so the declarations of every schema that holds them
refer to them instead of spelling them out again. The shared declarations
shrink from 9 to 5.5 MB and the server's typecheck from 4.4 to 2.9 GB, so
the build fits the image's 4 GB again.
- edit_book_page and revise_book_design take add by what the element is,
with an id of its own; its look follows with style by that id in the same
call, every look field described once. A change an assistant card kept
with its look on add still reads and runs.
- restore_book_page states what every element has once, then each kind's
own fields and the type the five travel kinds share, without defaults; the
page is read as a spread again before it goes back.
- The theme links are explained once in the page edit's description, and
style points a text's face, a shape's paint and outline and a photo's crop
look at their one full description.
- The lockup roles live in a module of their own, so the operation schemas
no longer import the lockup engine, whose cycle left the operations unset
in the shared tests.
- The theme switches no longer fall through a comment, the newer document
test follows the current revision, the line inspector names its stroke
keys, a text's anchor reads no physical side, two shapes record the
proportions they are drawn at, and the photo look and line tests follow
the slider and the folded ornaments.
- A text can be cased (capitals, lower case, small caps), placed at the top,
middle or foot of its frame, outlined, given a hard shadow or a marker band,
bent on an arc or round a circle, filled with a gallery photo or left
hollow, and shrunk to fit its frame. Every effect prints as vector: copies
and strokes for HTML type, textPath and a clip over an <image> for SVG.
- Fitting is solved when the text is edited, in the Studio and in the edit
engine, and stored; the chosen size is kept as the ceiling.
- Text sizes reach 400 pt and tracking 1.5 em.
- The Elements panel opens on a Text tab: the plain styles and 24 lockups
(titles, badges and stamps, chapter marks, quotes, captions, places), each
drawn with the book's own title and placed as one group.
- The assistant sets every effect through style and add, places a lockup with
add_lockup, reads the effects in describe_book_page and gets two new
findings (curve_overflow, effect_heavy) beside photo-fill and band checks.
- Book format revision 6.
- Fifty more shapes: arches, paper cut-outs (leaves, coral, weed, organic
circles, a wonky star and sun), stamps, a postmark, a rosette, tags and
ticket stubs, sunbursts, ribbons and bands, speech bubbles, drawn arrows,
hearts, stars, photo frames and ornaments (scroll, laurel, fleuron, corner).
The broad ones are photo frames too, and each tile is drawn at its shape's
own proportions, which a new shape is also placed at.
- A cut edge on rectangles, circles, arches and the other broad shapes, painted
or not, and on a photo's cut: zigzag, scallop, a postage stamp's perforation,
wavy, torn and deckle, with a depth in millimetres. Cut in millimetres, so
holes stay round on a wide frame.
- A line element: two to 32 points dragged on the canvas (a handle pulled from
the middle adds one, a double-click removes it), straight or curved, solid,
dashed or dotted, a wave or a zigzag, a hand-drawn wobble, a head on either
end and an ornament in the middle. A shelf of lines and dividers places them.
- The assistant reaches all of it: add and style take the line (its points on
the spread in mm) and the edges, describe_book_page says them, and two new
findings say when a line is too thin to print and when an edge is set on a
shape that takes none. A photo's mask is checked against the shape set
rather than listed again, which keeps the page edit's schema smaller.
- BOOK_SCHEMA_REV goes to 6.
Photos get a look beyond crop, mask and frame style, in Studio and for the
assistant alike:
- border (width and colour, following the mask or the corner radius), a hard
offset shadow and a die-cut cutout edge, all flat vector shapes in print
- zoom 1 to 4 about the focal point and a left to right mirror
- brightness, contrast, saturation and warmth, and a duotone; these are
filters, labelled raster in print in the inspector
- the print resolution of the selected photo in the inspector, with a warning
under 200 dpi, measured from the original
PhotoView moves out of SpreadView into its own file and uses per instance
SVG ids, so a spread drawn twice keeps its clips and filters apart. The style
operation takes the look, describe-spread lists it, the dpi and crop findings
account for zoom and mirror, and a new raster_effect finding notes filters on
a large photo. BOOK_SCHEMA_REV goes to 6.
The add button reads "+ Page" with the full "Add page" as its title and
accessible name, so it no longer wraps onto two lines. The elements panel's
tabs size to their word and break onto a second row when they do not fit,
where equal widths cut the longest word.
The ids of long catalogues (fonts, shapes, patterns) read as a checked string
in the book tools' schemas, so restore_book_page and the page edit stay under
their ceilings. The lightbox takes its reading direction from the language.
Baselines follow the removed avatar upload and the lower counts, the doubled
NEWER constants and three unused imports go, the locale indexes are sorted,
and the place gallery, picture, sheet, inspector weight and paddle tests
follow the merged behaviour.
- The opacity and paint sliders remember the value they were last moved to and commit that when let go, instead of reading the controlled input, which still shows the old value until the parent renders.
- The render test's old-fade shape is star-5; star is not a shape, so the whole fixture failed to parse.
Elements can be grouped on a page and picked, moved, resized, aligned and
restacked as one. A layers panel lists the page front to back with lock,
visibility, rename and drag to restack. The sheet gains marquee selection,
arrow-key nudge, one box that resizes a multi-selection with Shift holding
the proportions, and the design-tool shortcuts. The inspector lines a
selection up and spaces it out, and copies and pastes a style.
The assistant gets the same through the group, ungroup, name and hide
operations, and describe_book_page lists the groups. The format gains the
optional group, name and hidden fields and a spread's group names, so
BOOK_SCHEMA_REV goes to 2.
A new element kind, sticker, draws layered vector illustrations from a library in twelve themes, behind its own entry point @trek/shared/stickers. Studio gets a Stickers rail section (themes, localized search, recently used, click or drag to place) and an inspector for colour slots, mirroring, turning and opacity. The assistant gets list_book_assets, add and style of stickers in edit_book_page, stickers in describe_book_page and an overlap warning for a sticker over words. BOOK_SCHEMA_REV goes to 2.
- A shape and a page take a paint: one colour with its own alpha, a linear or
radial gradient of two to six stops, or one of twelve patterns (checks,
gingham, stripes, pinstripes, dots, polka dots, zigzag, waves, grid, scales,
sunburst, confetti). fill, gradient and background keep the colour that
stands for the paint, so an older reader still draws something close, and a
plain colour or the old cover fade is stored in the old fields alone.
- Gradients render as SVG in user space with ids per mounted copy, so the two
halves of a spread in page mode never share a defs id; patterns are drawn
out as geometry clipped to the outline and capped at 2000 primitives.
- The new paint picker has none, solid, gradient and pattern tabs, a stop bar
to click, drag and pull stops off, an angle dial, a radial centre pad and
pattern tiles drawn by the page's own generator.
- Every swatch row gains the book's own colours, colours read from the
page's photos, recent colours and, where it applies, an opacity slider.
- With nothing selected the inspector sets the page background, gives it to
every page of its kind, and lays a photo under the whole page.
- The assistant's background operation takes a paint as well as a colour,
style and add set a shape's paint, and describe_book_page reads both.
- BOOK_SCHEMA_REV goes to 2.
The book catalogue grows from 7 families to 34, all self-hosted through
@fontsource under the SIL OFL 1.1 or the Apache License 2.0: condensed and
poster faces, heavy retro display, elegant display serifs, Montserrat, twelve
scripts and DM Mono. Weights run from 100 to 900, each family offering only
the weights it ships, and the serifs gain real italics.
The catalogue lives in @trek/shared (book-fonts.data.ts) with each family's
roles (display, heading, body, script, mono), weights, italics and letter
width, so the Studio, the findings, the design engine and the assistant read
one list. Page operations and the design engine set a weight a family lacks
at its nearest one, describe_book_page names the role and the weight, and
font_mix no longer counts scripts and mono faces, warning above three.
The Studio gets StudioFontPicker: the current family set in itself, a
searchable list grouped by kind with every family in its own face and the
book's own families first, and a weight slider over the weights the family
has. Faces load only when used; the assistant's page snapshot embeds only the
faces a page draws, the service worker installs only the latin files of the
original seven families, and the faces of an opened book are cached for
offline use. BOOK_SCHEMA_REV goes to 2.
The chat is a lazy chunk that grew with the kept notes and the place picker;
findBy's default second ran out on the CI shard, so the welcome was never
found. The waits for it get ten seconds, under the fifteen second test limit.
- The design prompt keeps the print rules and adds energy: calm keeps today's
rules, lively and loud layer photos, tilt, set oversize display type and
block colour. Type sizes come as numbers relative to the page, and the model
answers eight silent questions and previews the cover twice before it
proposes.
- The type scale reaches 2.5 and a display tier sets a cover title up to
200 pt; existing books keep their sizes.
- An overlap is severe only where more than half of a photo or a text is
covered by accident; a title over a photo, a framed inset or a turned photo
is layering.
- The assistant may use every icon of the icon tab, checked by name, and every
enum of the book tools says what its values mean.
- A book carries schemaRev. The reader that meets a newer one opens the book
read-only with a reload banner and saves nothing, where it used to drop the
elements it could not read on the next save.
- The server refuses a save, a restore or a tool edit that would write an older
revision over a newer book or one newer than itself (409 book_schema_newer),
on REST and through every book tool alike.
- normalizeBookDocument moves to book-normalize.ts.
- Print waits for photos eagerly and up to 15 s for an export of more than 40
photos, and skips images without a source.
The column took the page's room and cut the spread off. The Studio now opens
the same movable, resizable window as the planner, kept under its own key and
below the Studio's bar; its frame moved into assistantFrame.ts and
AssistantFrameEdges so both windows share it.
The day word of every language now says where the number goes ("DAY {day}",
"{day}日目", "第{day}天", "{day}. GÜN"), and one helper builds the mark for the
engine, the auto layout, a template and the Travel panel, so Japanese,
Korean and Chinese no longer read "日目 3". A word stored without the
placeholder is followed by the number as before. The panel's own day word is
gone with its only reader.
A country mark carries the name as its words beside the outline and a flag
mark sets it small beside the flag, the same for the engine's value, the
panel's tile, the assistant's add and a template's country mark; a flag in a
template keeps the place its name was drawn in. A flag or country mark asked
for by its own code is named after that country without the journey having
to name one.
The Studio drew the page after a held edit or cover change by running the
card's operations on its own book, which knows nothing of the journey's
photos, words and figures, so a caption from a photo, a text from an entry
or a map from the route came out differently or not at all. The card now
carries the page the server's trial made with the full context, read with
the book's schema and within the card's size, and the Studio draws it while
its book stands at the version the trial ran on. A book that moved on, a
card from before and a page too heavy to carry still run the operations on
the book on screen, the book the change will run on. The receipt leaves the
page out, since an applied change is drawn from the book itself.
The dashboard's button reset outranked the utility classes the chat is drawn
with, so inside Studio the apply and discard buttons, the follow up chips and
the page checkboxes of a design card lost their look, the checkboxes so far
that nobody could see them. The column is now left out of that reset. The
assistant toggle shows only its icon below 1520 pixels and the journey's name
gives way before the bar runs past the window, and the inspector floating
over the page has a solid ground, so it stays legible in the dark scheme.
Figures, countries, maps and marks placed from the panel are the elements the
assistant adds, built by the shared factories; the panel keeps only their
placement. A trip map no longer carries the whole journey's trail, switching a
map's scope re-cuts it the way the engine does and clears the roads of the old
legs, and switching back to the whole journey restores the trail.
A page preview draws the spread the server applied with the journey's photos,
texts and figures instead of applying the operations again without them. The
Studio's welcome, privacy banner and header fit a journey chat: a viewer is
told they can only look, the banner speaks of the book, and the trip notes
button stays in the trip chat. Escape closes the header menu before it stops a
reply, a single page renders at the full long edge, the status says a model
reads pages only while its provider has not refused an image, and pointing at
a page in a design card outlines it in the Studio.
A chat column in the Studio with its own privacy notice, a live page snapshot
through modern-screenshot that leaves out photos of other people and foreign
map tiles, and flushes before every turn and apply.
Every element kind and Studio tool gets an op, the auto layout and its
templates move from the client to shared with a parity fixture, and a pure
design engine turns directives into a finished book with design findings.
haversineKm in src/utils/geo.ts answered NaN for some near antipodal pairs,
for example 47.3812, -10.8827 and -47.3812001, 169.1173. Rounding pushed the
haversine term a hair past 1, and asin of a value above 1 is NaN, which then
spread into route sums and range checks.
Cause: unlike the Studio legKm and the roadtrip haversineKm in
@trek/shared, the shared client helper had no clamp before Math.asin.
Fix: clamp with Math.min(1, ...) before Math.asin. With the clamp the helper
runs exactly the operations of Studio legKm in the same order (2 * 6371 is
12742), so Studio now uses haversineKm and legKm goes, with its cases carried
into the new geo tests. The roadtrip variant multiplies its terms in another
order and gives different last bits, so it stays as it is.
Red test: src/utils/geo.test.ts FE-UTIL-GEO-002 failed on the unfixed code
with "AssertionError: expected NaN to be close to 20015.086796020572,
received difference is NaN, but expected 0.0005".
Removed tests: src/components/Studio/legKm.test.ts went with legKm. Its four
cases (zero for one point, a degree of latitude about 111.19 km, the same
both ways between 8700 and 8900 km, 0,0 to 0,180 equal to 12742 * PI / 2) now
run against haversineKm as FE-UTIL-GEO-001, 003 and 004.
TravelElements ramped how far a leg bows by a local km helper and
roadRoute refused long legs by a second copy of it. Both now call legKm
from legKm.ts, the same formula with the same clamp.
The text inspector and the travel inspector each drew the same row of
typeface buttons and the same weight choice. Both now render FontButtons
and WeightLine from StudioTypeControls.tsx. The travel inspector keeps
casting its patches to Partial<BookElement>, so each side writes exactly
the fields it wrote before.
Finishes the plural work the previous wip commit started. t() picks a
count string's form by the language's own Intl.PluralRules, and every
locale now spells out the forms its language reaches with whole
numbers, about 160 count strings in all: one, few and many in Russian,
Ukrainian and Polish, one and few in Czech and Slovak, five forms in
Arabic, one in the others, none in Japanese, Korean, Chinese, Thai,
Vietnamese and Indonesian. Each language was translated and then
reviewed on its own. English no longer reads "1 files", "1 updates
available" or "photo(s)".
Count labels shown next to a number now take that number too: the
atlas and admin statistics, the trip cards, journey and shared trip
pills, packing templates, receipts, storage usage, the Studio export
note. A heading that shared its key with a counted label keeps a key of
its own (the boarding pass heading, the Bookings tab), so languages that
put a noun after a number in the singular keep a plural heading. The
plugin hosts chip passed its count through .replace() after t() and
never got a form; three toasts sent the count as text. Mail and push
texts for shared photos and suppressed storage failures pick their form
in code through pluralForm.
A whole number sent as text counts too, which is how in-app
notification params arrive, and the plural rule follows the language of
the strings on screen while another one still loads.
The parity check knows which forms each language needs and refuses
missing and impossible ones. It also reads keys that contain a colon
now: it skipped them, which hid 58 missing plugin permission texts in
Catalan and 35 in Vietnamese, both translated. The client parity test
covers every language of the registry instead of a hand-kept list of 19,
and the placeholder spec lets a form spell its number out only where
its category is that one number. Brazilian Portuguese error screens
were in Breton, and an Arabic dashboard label held Hebrew text.
Arabic runs the app right to left, but margins, paddings, insets, text
alignment, borders and corner radii were written for the left side, so
icons sat against the wrong edge of their labels, indents and badges
pointed the wrong way and amount columns aligned left. They now use the
logical forms (ms-, ps-, start-, text-start, marginInlineStart,
insetInlineEnd and their CSS equivalents), which are the very same sides
in a left to right language. Geometry stays physical on purpose: maps,
positions measured from the pointer or a bounding box, time axes,
sliders, transforms and print output.
Amounts drawn as several spans keep their order in a right to left row,
the time picker keeps hours before minutes, and two switches whose thumb
slid out of its track in Arabic now move the right way.
lint:rtl counts what is still physical per file against a baseline that
may only shrink (1512 uses in 370 files before, 319 in 113 now), and CI
runs it, so new code reaches for the logical forms.
Small requests from the discussions, each built end to end: planner and
map (cycling mode, date first headings, clear a day, stay times per day,
off-route stops, map lock, compact unplanned markers, pending stays,
cable car, transit quick picks), places (location filter, category from
OSM, open in maps, geo: link, image from an attachment, enrichment on
file import, places near a pin, place name language, Amap first in
China), lists and costs (packed counter, inherited sharing, Markdown
to-dos, payment notes, bookings CSV, my plan PDF), sharing (unplanned
places, travel only, without photos), journey (photo zoom, drafts,
photo order, trip suggestion, day jump), atlas (region counter, region
bucket list, places per country), vacay half company holidays, studio
copy and paste plus the book's own layouts, and RESTORE_FROM_BACKUP for
a first start restore.
The export dialog was the last popup on the old card: it is now the shared
dialog frame with its options as rows, and it takes Escape for itself so
the key no longer reaches Studio behind it. Its stylesheet goes.
The Atlas country card printed the flag emoji, which Windows draws as the
two letters of the country code; it uses the shared CountryFlag now.
A help icon on every screen opens a panel with the screen's overview, its
sub-screens, task guides with a framed picture per step, search across guides
and the wiki, and a switch to any other screen's help. Guides exist for the
dashboard, Vacay, Atlas, Collections, Journey (list, journal, studio), Settings
(all tabs), Admin (all tabs) and the trip frame; the trip's own screens are
in progress. Pictures are produced by Playwright (client/e2e/help), texts in
all 23 languages.
A new book was a cover, a spread and a back cover, so it opened straight
onto pages 2 and 3. A bound book does not: the inside of the cover is
blank, and the first thing facing the reader is a single right-hand page,
page 1. The same at the end, where a single left-hand page sits before the
back cover. Both are laid down now, empty, in a new book and in a laid-out
one, and they are fixed the way the covers are: an inner spread only ever
goes between them.
The page numbers follow. They were counted from a spread's position in the
array, which assumed the spread after the cover was the first, and three
places did that sum on their own. One function now counts along the book,
one page for a single leaf and two for a spread, so the sheet on screen and
the label in the print view and the folio on the page all say the same
number. A book with a first page starts at 1; a book from before the first
page existed has none and keeps the numbers it always had.
Three things Sonar was right about. The content panel had grown a filter, a
menu and an upload into one function of thirty-two branches: the filtering
is four pure rules in photoFilter.ts, the row that drives it is its own
component, and what is left in the panel is the grid and the drop zone. The
gallery rows behind an entry upload move out of the store's setter into a
named function, since five levels of nesting is a place bugs hide. And the
ids for placed elements come from getRandomValues rather than Math.random,
in one module instead of four copies of the same line: two editors minting
the same id for two elements is one of them losing their work.
The new paths carry tests now, which is what the gate was really asking
for: the filter's rules, the ids, the upload helper, the store's derived
gallery rows, the canvas file drop, and the shell's upload, drop and stop
switch.
The stops list was the longest thing in the travel panel by a distance: a
fortnight is fourteen rows, and it pushed the maps and the country tiles
below the fold on every journey. It is a folding section now, closed to
begin with, with the count of what still counts in its head, so the closed
section answers the question anyone opens it for. The rows are one line
each, the day loses its weekday, the country appears only on a journey with
more than one, and the switch is a mark rather than a word, which is what
lets the place name fit.
A picture uploaded onto an entry also goes into the gallery, because that is
where the row lives. The entry upload only answers with the entry's view of
it, so the store derives the gallery row it did not get and the content
browser shows a new picture without the journey being fetched again.
The content browser gets a filter over the journey's pictures: all of them,
the ones no entry holds, or one entry at a time, with the day and the place
under each name. An entry card in the Entries tab reaches its own pictures
the same way. Pictures can now come in without leaving Studio, into the
entry the filter names or into the gallery, from the panel or dropped
straight onto the page, and a photo element can fill its page or the whole
spread in one press.
Stops can be taken out of the arithmetic. A journal entry carries a
stats_excluded flag; an entry that has it is off the route, out of the
distance, out of the countries and not a step, while staying in the
journal. Studio lists every stop in the travel panel with a switch, the
entry editor carries the same switch on desktop and phone, and the entry
card says when a day is off the route.
The @fontsource packages for Inter, Lora, EB Garamond, Playfair and Bebas were declared but never imported, so every pick fell through to its fallback stack, in the print path too. The faces load with the lazy Studio chunk now, in the exact weights BOOK_FONTS uses, including the MuseoModerno 500/600 the picker offered and nobody shipped. A guard test derives the required imports from the registry.
Auto layout wrote journey data straight into the document without holding
it to the caps the contract sets, and the save path sends the document
unvalidated - so the route refused the whole body with a 400 and the
editor reported "couldn't save" for the rest of the session, because
autosave kept offering the same rejected book.
The everyday way in was the itinerary list: thirteen stops a page over
two pages is eighty elements on a spread capped at sixty, so a run of
twenty bare stops was unsavable and a longer one put two spreads over.
Sixty was below what this app's own layouts draw, which makes it a bug
with a constant in front of it rather than a limit, so the cap goes to
ninety and the page keeps the design somebody chose. It stays a
serialisation limit: the largest document the contract now admits is
under four megabytes against the book route's eight.
A long journal entry, a long place name, a journey past eighty countries
and a long title each did the same thing on their own, and a bound story
did it on open without anyone touching Auto layout. The caps become named
exports on the contract and every producer builds against them, so the
two cannot drift apart again - which is also why the stations chunk is
derived from the cap and the salvage fixture counts off it.
Fixes#2085
CARTO stamps an "API KEY REQUIRED" watermark onto every basemap tile
fetched without a key since 26.08.2026, and both CartoDB presets plus the
built-in fallback are CARTO. The key is free and needs no account, so add
it as a setting rather than dropping the provider.
carto_api_key sits next to mapbox_access_token: per user in Settings/Map,
instance-wide under Admin/User Defaults, encrypted at rest, injected from
CARTO_API_KEY on managed instances. Unlike Mapbox it never switches the
map provider, since a raster key says nothing about the renderer.
The key is appended as ?key= at render time instead of being stored in the
template, so a saved URL stays portable and survives a rotation. That is
also what reaches the four maps that pinned CARTO and ignored the user's
tile setting: atlas, collections, the public trip share and the public
journey. The two share pages read it from their token-gated payload, the
same way baseCurrency already travels.
Also lifts the release notice above page chrome. Its overlay sat at
z-index 50, under the Vacay mode toolbar at 61, so the dialog was neither
on top nor modal. Adds a six-step layer scale to index.css and moves the
three notice shells onto it.
Closes#2054Closes#2052
Maurice