The rail gave its labels 48px and let them break anywhere, so Elements read Element and s, and nine languages broke a word at the default text size. Labels wrap only between words now, and the rail grows to its longest word from 64px.
The travel tab is four tabs now, figures, maps, countries and marks, and
offers only the newer looks, each dressed in the book's theme and linked to
it. The looks books already hold still draw on their pages exactly as
before; they are just no longer offered.
- Figures: a summary as a poster, a ticket, tiles, a road sign, an
odometer, a handwritten note, a pencil sketch or a band, and each figure
on its own as a medal, on odometer drums or ringed by hand.
- Maps: the route with its photographs, its stops numbered, its two ends
marked or on a dark ground, over satellite or relief imagery, a map per
trip, and a map of each country with its stops alone, cut to its shape.
- Countries: each country as a passport stamp, a visa, an airmail
postcard, its flag in cloth, a map pin, a luggage label or a sketch.
- Marks: the date, the day, the distance, the coordinates and the flag as
stamps, tags, pills, ribbons, die-cut stickers, embroidered patches and
sketches.
The schema gains a summary's and a country's look, seven mark styles and
the numbered and ends stops of a map, all additive, as revision 11.
Also in Studio: the save state is a tile beside who is here, a book a newer
Studio saved is said by an overlay that holds the whole Studio until it
reloads, and the page rail draws the first and the last page beside the
blank inside of their cover. The notifications page and the bell's panel
take the dialogs' look: a head with a tile, cards with an unread dot, and
tools that come forward on hover.
Every piece of the head row is one raised tile of one height: the format
picker moved beside the tools, the assistant and help stand alone, the
close button is square like the rest, and the beta mark is gone. The
layouts tab lays the book's own and the built-in layouts out in sections
and in the same grid as the designed pages. In the theme panel the accent
dots sit in the sheet's corner, the three accents share one name, a font
keeps its name ahead of its kind, a doubled rule is gone, and the
inspector's empty hint is shorter.
The sheet listened on the window in the capture phase, before any control saw
a key. Delete on a focused gradient stop removed the whole shape, an arrow on
the angle dial or the radial centre also moved the shape, and Delete, the
arrows and Ctrl+V pressed on a button of the assistant's window acted on the
page although the window stops its keys. The sheet now listens on the
document as the key bubbles, after every control had it and still before the
page's Escape on the window, and leaves a key whose default was prevented. A
gradient stop takes Delete and Backspace even when the last two stops cannot
go.
The layers panel was a tree a keyboard could not walk: only its toggles could
be focused. The tree is now one stop in the Tab order, the row last focused or
else the selected one. Up and Down move along the rows, Home and End to the
ends, Right opens a group or steps into it and Left closes it or steps from a
member up to its group (mirrored right to left), Enter or Space selects a row
as a click does with Shift adding, and F2 renames it. Enter and Escape in the
name field hand the focus back to its row, and the row in focus is ringed. A
hidden or locked layer that cannot be clicked on the page is reached this way.
The rail lists its sections in the order a book is made: Pages, Content,
Layouts, Elements and Travel, then Theme and Layers set apart below a rule.
Stickers are a tab of Elements beside the icons instead of a rail section of
their own, and Elements has six tabs (text, shapes, lines, frames with the
grids, icons, stickers). The quotation mark moved to the text styles, the
outline rectangle to the basic shapes and the plain rule to the lines. The rail
and every tab row are tab lists the arrow keys walk through, and a long name
wraps instead of being cut. The icon and sticker searches say in the field how
many match, which the sticker library's own head used to.
Every panel on both sides opens on the same head, and every labelled control
uses one row that moves the control under its label when the two do not fit,
so no label sits in a fixed column any more. Number fields, chips, sliders,
tab labels, theme names and travel cards wrap the same way, a country beside
a stop wraps under itself, and an upload cell holds its words to two lines
with the whole label in its tooltip. The heads, shelves and groups are real
headings, so a screen reader can walk the panels by them.
The inspector shows every kind in one order: what the element is and says,
its position and size, its look, its effects, then Arrange. Align and the
stacking buttons are one Arrange group with a button that opens the page in
Layers; its rows sit under their labels, each in two sets that move to a
second line whole. Rarely used groups start folded and open on an element
that already uses them (a turned element, a map held at a zoom, a summary set
in another face), and every group mounts afresh for the next selection. A
sticker's duplicate angle and opacity are gone in favour of the shared
position group, which now has the turn buttons for every kind. With several
elements selected it keeps their angle, opacity and turn, and the mirror when
all of them are stickers, and leaves the frame's numbers to one element. A
photo's fill page and fill spread sit under its crop. With nothing selected
the inspector shows the page background, the book's theme with the way to the
Theme panel, and the page numbers.
Seventeen translation keys nothing has used since before the rebuild (the old
inspector title, the empty spread note, the summary and country list names,
the roads buttons and others) are gone from every language. The broad key
template the old panels used had counted them as reached; the format names,
the empty photo grid messages and the map source hints are now named where the
key check can read them.
Also fixed on the way: the travel stops list shared its class with the
gradient stops and was laid out as sixteen pixel handles; the alignment
buttons were named in raw English; the map's print resolution note joined its
two halves with a dash.
The Templates section of the rail now opens on the decorated templates of
the page's kind, covers two to a row and spreads at full width, each card
the page renderer drawing the page the click will lay: this page's photos
and words in it, in the book theme, a cover in the journey's title and
subtitle as the assistant's layout sets it. A row of style chips narrows
the set to one archetype. A click is one undo step on the page as it is
then, refused for the other kind of page, and opens the photos when frames
are left empty. The book's own layouts and the built-in wireframes follow
below, and the help guide and the wiki describe the panel as it now is.
The panel moved out of StudioSidebar into its own file; the sidebar keeps the
rail, and its two physical sides went with the code, so the rtl baseline
entry goes too. The Travel panel and a template's map build the journey
they draw with one helper.
- A text can be cased (capitals, lower case, small caps), placed at the top,
middle or foot of its frame, outlined, given a hard shadow or a marker band,
bent on an arc or round a circle, filled with a gallery photo or left
hollow, and shrunk to fit its frame. Every effect prints as vector: copies
and strokes for HTML type, textPath and a clip over an <image> for SVG.
- Fitting is solved when the text is edited, in the Studio and in the edit
engine, and stored; the chosen size is kept as the ceiling.
- Text sizes reach 400 pt and tracking 1.5 em.
- The Elements panel opens on a Text tab: the plain styles and 24 lockups
(titles, badges and stamps, chapter marks, quotes, captions, places), each
drawn with the book's own title and placed as one group.
- The assistant sets every effect through style and add, places a lockup with
add_lockup, reads the effects in describe_book_page and gets two new
findings (curve_overflow, effect_heavy) beside photo-fill and band checks.
- Book format revision 6.
Photos get a look beyond crop, mask and frame style, in Studio and for the
assistant alike:
- border (width and colour, following the mask or the corner radius), a hard
offset shadow and a die-cut cutout edge, all flat vector shapes in print
- zoom 1 to 4 about the focal point and a left to right mirror
- brightness, contrast, saturation and warmth, and a duotone; these are
filters, labelled raster in print in the inspector
- the print resolution of the selected photo in the inspector, with a warning
under 200 dpi, measured from the original
PhotoView moves out of SpreadView into its own file and uses per instance
SVG ids, so a spread drawn twice keeps its clips and filters apart. The style
operation takes the look, describe-spread lists it, the dpi and crop findings
account for zoom and mirror, and a new raster_effect finding notes filters on
a large photo. BOOK_SCHEMA_REV goes to 6.
The add button reads "+ Page" with the full "Add page" as its title and
accessible name, so it no longer wraps onto two lines. The elements panel's
tabs size to their word and break onto a second row when they do not fit,
where equal widths cut the longest word.
Elements can be grouped on a page and picked, moved, resized, aligned and
restacked as one. A layers panel lists the page front to back with lock,
visibility, rename and drag to restack. The sheet gains marquee selection,
arrow-key nudge, one box that resizes a multi-selection with Shift holding
the proportions, and the design-tool shortcuts. The inspector lines a
selection up and spaces it out, and copies and pastes a style.
The assistant gets the same through the group, ungroup, name and hide
operations, and describe_book_page lists the groups. The format gains the
optional group, name and hidden fields and a spread's group names, so
BOOK_SCHEMA_REV goes to 2.
- A shape and a page take a paint: one colour with its own alpha, a linear or
radial gradient of two to six stops, or one of twelve patterns (checks,
gingham, stripes, pinstripes, dots, polka dots, zigzag, waves, grid, scales,
sunburst, confetti). fill, gradient and background keep the colour that
stands for the paint, so an older reader still draws something close, and a
plain colour or the old cover fade is stored in the old fields alone.
- Gradients render as SVG in user space with ids per mounted copy, so the two
halves of a spread in page mode never share a defs id; patterns are drawn
out as geometry clipped to the outline and capped at 2000 primitives.
- The new paint picker has none, solid, gradient and pattern tabs, a stop bar
to click, drag and pull stops off, an angle dial, a radial centre pad and
pattern tiles drawn by the page's own generator.
- Every swatch row gains the book's own colours, colours read from the
page's photos, recent colours and, where it applies, an opacity slider.
- With nothing selected the inspector sets the page background, gives it to
every page of its kind, and lays a photo under the whole page.
- The assistant's background operation takes a paint as well as a colour,
style and add set a shape's paint, and describe_book_page reads both.
- BOOK_SCHEMA_REV goes to 2.
The book catalogue grows from 7 families to 34, all self-hosted through
@fontsource under the SIL OFL 1.1 or the Apache License 2.0: condensed and
poster faces, heavy retro display, elegant display serifs, Montserrat, twelve
scripts and DM Mono. Weights run from 100 to 900, each family offering only
the weights it ships, and the serifs gain real italics.
The catalogue lives in @trek/shared (book-fonts.data.ts) with each family's
roles (display, heading, body, script, mono), weights, italics and letter
width, so the Studio, the findings, the design engine and the assistant read
one list. Page operations and the design engine set a weight a family lacks
at its nearest one, describe_book_page names the role and the weight, and
font_mix no longer counts scripts and mono faces, warning above three.
The Studio gets StudioFontPicker: the current family set in itself, a
searchable list grouped by kind with every family in its own face and the
book's own families first, and a weight slider over the weights the family
has. Faces load only when used; the assistant's page snapshot embeds only the
faces a page draws, the service worker installs only the latin files of the
original seven families, and the faces of an opened book are cached for
offline use. BOOK_SCHEMA_REV goes to 2.
The column took the page's room and cut the spread off. The Studio now opens
the same movable, resizable window as the planner, kept under its own key and
below the Studio's bar; its frame moved into assistantFrame.ts and
AssistantFrameEdges so both windows share it.
The dashboard's button reset outranked the utility classes the chat is drawn
with, so inside Studio the apply and discard buttons, the follow up chips and
the page checkboxes of a design card lost their look, the checkboxes so far
that nobody could see them. The column is now left out of that reset. The
assistant toggle shows only its icon below 1520 pixels and the journey's name
gives way before the bar runs past the window, and the inspector floating
over the page has a solid ground, so it stays legible in the dark scheme.
A page preview draws the spread the server applied with the journey's photos,
texts and figures instead of applying the operations again without them. The
Studio's welcome, privacy banner and header fit a journey chat: a viewer is
told they can only look, the banner speaks of the book, and the trip notes
button stays in the trip chat. Escape closes the header menu before it stops a
reply, a single page renders at the full long edge, the status says a model
reads pages only while its provider has not refused an image, and pointing at
a page in a design card outlines it in the Studio.
A chat column in the Studio with its own privacy notice, a live page snapshot
through modern-screenshot that leaves out photos of other people and foreign
map tiles, and flushes before every turn and apply.
A tour kept in a collection was a card in a box of its own above the list,
and its button lost its look to the collections page's button reset. It is
now a row of the list like a saved place: its grade or type tile, its name,
type and the trip it came from, its measures, and Add to a trip, with
removing dimmed beside it. The list's search narrows the tours too. The
phone shows the same rows and takes a tour into a trip from a sheet, on the
same hooks as the desktop.
A routed section of a hike between two neighbouring points can now be
compared with the other ways the router knows between the same two points,
under the same limit and preferences. "Compare ways for the next leg" in a
waypoint's menu opens a card over the planner map: the way taken now and up
to three others, each drawn on the map in its own colour, with length,
climb, descent and walking time by the signposts' rule. Figures without
heights stay unknown, and the differences to the current way are shown
only where both are known. When the router knows no other way, or does not
answer, the card says so.
Showing, hovering and choosing change nothing. Only "Take this way" does:
the router is first asked whether a few shaping points hold the chosen way
(the check the road trip's picker already uses), and only then are they set
into that one leg as a single step of the history, with a "Way taken" note
and its undo at the foot of the map. Other legs, fixed lines, days and
points stay as they were, the totals follow from the replanned route, and
the shaping points can be dragged like any other. A section that changed
while the router was asked, or a way it does not keep to, is not written,
and the card says why. The ways are drawn in 3D too.
The hike's "SAC grades" card becomes "Trail details": one switch, then a
segmented choice between SAC, Surface and Way type, three things kept
apart and drawn along the route on the planner map one at a time. Every
facet reads from the same answer: the ways under the line are matched on
foot once, their OpenStreetMap values fetched once through the
trail-grades read MAP-03 already uses, and each stretch is placed against
the tour's own line once. Switching facets asks nothing new.
The server now hands on a way's surface and highway tags as OpenStreetMap
wrote them, only trimmed and bounded. The planner groups them (asphalt or
concrete, paving stones, compacted, gravel, natural ground, grass, rock,
wood or metal, unpaved without a kind, other; path, footway, steps, farm
or forest track, cycle path, minor road, road, via ferrata, other), and
each row's tooltip names the values recorded, such as surface=gravel,
surface=pebblestone. The router's own surface reading is never used: it
is normalised and a default where nothing is recorded.
What is not known stays unknown and says why, in every facet: no value
recorded, a value no group takes or two at once (unclear, never the
nearest group), no way clearly under the tour's line, or a way that could
not be asked about. Imported tracks and hand-drawn stretches keep their
geometry; a matched way only counts where it keeps within 25 m of it.
A summary badge gives the known share and the most common class; the SAC
facet keeps its highest step and routing limit badges. Nothing about the
tour, its places or its days changes, and no routing preference is set.
A hike in the planner, being edited or viewed as an import, now has an
"SAC grades" card. Switched on, it asks the router which OpenStreetMap
ways lie under the line (matched on foot, every grade of path open) and
the server reads their sac_scale through the Overpass mirrors, the same
trail-grades read the mountain bike grades use. The grades are drawn
along the route on the planner map in one ramp of a single hue, T1 to
T6, and listed by share and length; a row draws its class alone. Each
row names its source in a tooltip: the SAC hiking scale and the
sac_scale value OpenStreetMap wrote.
What is not known stays unknown and says why, never T1: a way without
a grade, a grade that names no single step (handed on as written), a
stretch with no way clearly under the tour's line, or a way that could
not be asked about. For imported tracks and stretches drawn by hand a
matched way only counts where it keeps within 25 m of the tour's own
line, so the original line is kept and nothing is guessed. The router's
own reading of the scale is not asked for, since it may be normalised.
The routing limit of a planned hike sits apart as a setting with its
own badge, and a known step above it is marked. Nothing about the tour,
its places or its days changes; switched off, the map is as it was.
No regional colour categories and no grade derived from slope, height
or trail markings.
A tour can now be a ride (HOR-01). The planner offers "Horse ride" as a
tour type with its own horseshoe, and a Horse routes card beside the
waypoints looks, when asked, for the route=horse relations OpenStreetMap
knows in the map view. A route opens in a dialog that shows it on a map in
the sections it is made of, split at forks, gaps and crossings, so nothing
is ever joined across a gap. The rider picks a section and its direction,
sees what the horse=* tags along it say (open, limited, closed, or unknown
where untagged) and whether it is signposted the other way, and takes it as
one undoable step. A section that does not start where the ride ends is
only joined by a straight manual stretch once the rider switched that on.
Nothing of a ride is routed: every leg follows a section or is drawn by
hand, and the waypoint list and the map say which (a section as a solid
line with its route, a manual stretch dashed and marked unchecked). A point
at a section stays where the route has it, a ride works out no riding time,
and distance, heights, day assignment, GPX import and export, the 3D view
and the reversed ride keep working with each leg's origin saved and opened
again. A failed lookup leaves the ride and the routes already found as they
were.
The server reads the routes through the shared Overpass client
(GET /api/trips/:tripId/tours/horse-routes, Tours addon, trip access),
keeps an answer twelve hours per grid-aligned view, and the tour contract
refuses a routed leg, a via ferrata or a riding time on a ride and a horse
route section on any other type. A migration enables the horse tour type.
The tour type is a dropdown; a bike tour picks its profile, routes for it,
says when a point lies off every way, and shows what it runs on: surfaces,
kinds of way and, for a mountain bike, the trail grades, each pointed at on
the map. A type's own map (OpenHikingMap for a hike, CyclOSM for a bike tour)
is offered while a tour of that type is open, with an admin switch each.
From the planned cards: a hike avoids steep climbs, steps or ferries, nothing
else; a saved tour can be shared where the platform takes GPX files; and the
tours rail adds a tour from one menu: plan new, import GPX, or take one over
from another trip.
Paddle tours are planned on the water by TREK's own router: a water network
per paddle region, built from the same Geofabrik extract as the obstacles and
searched in a worker thread of the server (no sidecar). Rivers, canals and
lakes (direct or along the shore), portages round weirs, locks by policy,
whitewater by boat, gaps marked. Found portages and locks become points of
their own; an unplannable leg says why and offers a way out.
- Shaping points: a click on the line sets a point that steers the route
without being a stop (hikes and paddle tours); recompute a single leg.
- Lake style direct/shore, suggested from the wind forecast.
- Regions load by themselves where a paddler plans (admin setting: automatic,
on request, off; size cap and a daily count), with requests for the admins,
a notification, and the load followed on the leg.
- Portage from the last point, portages follow footways via the walking
router (or stay straight), "put in here" on slipways and put-ins.
- MCP plan_paddle_route with the REST route's rules.
PAD-05B: a click on an obstacle on the map or on the route band opens its card in the look of the via ferrata card: the kind with its glyph, the name, how it stands to the route (on it at a distance along it, near it with the link marked unclear, or only in the area), the paddling rule its tags give with canoe read before boat, a condition as written, height, grade, hours and fees, the source with the date of the data and the OpenStreetMap link. A missing rule reads as unknown, never as allowed, and a portage way recorded as private says so. Objects only in the area show from zoom 13 on, on Leaflet and GL alike; on GL the lines only near the route are dashed as on Leaflet, one click handler picks the marker over the line, and a picked marker no longer flickers. The route band marks the obstacles on and near the route by their share of the measured line. The obstacle notice also names an answer cut at its limit.
PAD-05A: the admin area gets a Paddle water data card under the addons, on desktop and phone: a search in Geofabrik's list with each region's path, the regions with their state (waiting, reading with its progress, ready with objects and data date, failed with the reason), reading again and removing after a confirmation. The list follows a read without reloading. Region changes write audit rows.
Map colours of paddle objects and portages come from theme tokens read at draw time, as the via ferratas do; the ferrata layer now shares that reader. The rail takes the planner page's parts as one bag, the map hit tests of the tour layers are one helper, and the unused noWaterData string is gone from every locale.
The invite notification links to /collections/:id, a list the invitee
cannot read until they accept. The phone screen had no invite UI at all
and showed "Start your first collection", and on desktop the rail with the
invites is hidden below 1080px while the empty state had no way to open it.
useCollections now recognises a route id that is a pending invite, keeps
it out of the route sync and puts it first in the invites it hands out.
The phone screen shows the pending invites as cards above the lists, and
the desktop body shows them when the person has no lists of their own,
or the one invite the route points at. Both reuse the existing invite
strings. A route id that is neither a list nor an invite (declined,
withdrawn, deleted) now drops back to /collections once the lists are in,
instead of leaving the page on a list it cannot show.
Refs #2645
Arabic runs the app right to left, but margins, paddings, insets, text
alignment, borders and corner radii were written for the left side, so
icons sat against the wrong edge of their labels, indents and badges
pointed the wrong way and amount columns aligned left. They now use the
logical forms (ms-, ps-, start-, text-start, marginInlineStart,
insetInlineEnd and their CSS equivalents), which are the very same sides
in a left to right language. Geometry stays physical on purpose: maps,
positions measured from the pointer or a bounding box, time axes,
sliders, transforms and print output.
Amounts drawn as several spans keep their order in a right to left row,
the time picker keeps hours before minutes, and two switches whose thumb
slid out of its track in Arabic now move the right way.
lint:rtl counts what is still physical per file against a baseline that
may only shrink (1512 uses in 370 files before, 319 in 113 now), and CI
runs it, so new code reaches for the logical forms.
Small requests from the discussions, each built end to end: planner and
map (cycling mode, date first headings, clear a day, stay times per day,
off-route stops, map lock, compact unplanned markers, pending stays,
cable car, transit quick picks), places (location filter, category from
OSM, open in maps, geo: link, image from an attachment, enrichment on
file import, places near a pin, place name language, Amap first in
China), lists and costs (packed counter, inherited sharing, Markdown
to-dos, payment notes, bookings CSV, my plan PDF), sharing (unplanned
places, travel only, without photos), journey (photo zoom, drafts,
photo order, trip suggestion, day jump), atlas (region counter, region
bucket list, places per country), vacay half company holidays, studio
copy and paste plus the book's own layouts, and RESTORE_FROM_BACKUP for
a first start restore.
The export dialog was the last popup on the old card: it is now the shared
dialog frame with its options as rows, and it takes Escape for itself so
the key no longer reaches Studio behind it. Its stylesheet goes.
The Atlas country card printed the flag emoji, which Windows draws as the
two letters of the country code; it uses the shared CountryFlag now.
Every popup of the four pages moves to the shared dialog frame the trip
uses: head band with its icon, the scrolling body, the footer with its
actions, and ConfirmDialog for the questions.
- Vacay: settings, removing a year (now says so when it fails), the
fusion request, inviting a person, a person's colour and sharing the
calendar.
- Collections: new and edited lists, adding a place, importing a file and
a trip's places, sharing, labels and assigning them, copying to a trip,
moving or duplicating, saving a trip's places and deleting a list. The
stylesheet of the old import view goes.
- Atlas: the country popup with the flag in its head, its choices as rows
and the wishlist step; Dawarich's Atlas dialog and its accept dialog on
the desktop.
- Journey: creating a journey, its settings, linking a trip, inviting a
contributor, the entry editor (discarding asks in a dialog) and the
photo provider picker; the entry card's menu is the shared one.
The phone keeps its own sheets: where a dialog is shared with it
(Dawarich, the contributor invite, the provider picker) only the desktop
frame changes.
Takes back the editable price, currency, website and phone on collection
places from 0df82185b and its review follow-up in a910c2a83. Costs are kept
inside a trip only; a collection does not carry them, and #2471 is a
feature request rather than a bug. The collection files are back to how
they were before, including the dimmed save button from f16698bdb, which
only mattered for the price field.
A connection test against a server with a self-signed certificate ended in
"fetch failed (self-signed certificate; if the root CA is installed
locally, try running Node.js with --use-system-ca)". The advice is meant
for whoever runs the server and cannot be acted on from the settings card,
so it is cut off.
The save button of a collection place stays locked while the price cannot
be read, but looked and pointed like an active one. It is dimmed and shows
the not-allowed cursor now.
A saved place always had price, currency, website and phone columns. Saving
from a trip, the file import and the copy into a trip all carried them, but
neither editor showed them and the update contract did not know them, so the
validation pipe stripped them from a PATCH and the MCP tool refused them as
unknown keys (#2471).
- shared: collectionPlaceUpdateRequestSchema takes price (not negative,
nullable), currency (three letters, trimmed and upper-cased), website
(http or https, as on save) and phone (trimmed, capped at 60 like the file
import). The save schema is unchanged.
- server: updatePlace writes the four fields inside the existing
transaction. update_collection_place spreads the same shape, so REST and
MCP take and refuse the same values; its description now names the price
and asks for the currency with it.
- client: the desktop detail sheet and the phone sheet edit price with a
currency picker, website and phone, and show them in read mode (price only
above zero, phone as a call link, website as a link chip through
safeHttpUrl). Both shells share one hook, useCollectionPlaceExtras, which
sends only the fields the user changed and always pairs a price with its
currency, since a list has no base currency. An amount that does not parse
marks the field and holds the save.
- i18n: collections.price, collections.priceHint and collections.phone in
all 23 locales; the website label reuses places.formWebsite.
- wiki: Collections and MCP-Addon-Tools name the new fields.
Tests: schema spec, COLLECTIONS-SVC-128 to 131, controller pipe parity,
update_collection_place with the new fields, COLLECTIONS-E2E-085 to 087,
FE-COMP-COLEXTRAS-001 to 012, FE-COMP-COLDETAIL-049 to 054 and
FE-MOB-CPLSH-042 to 046.
Ride minutes and late marks follow an edited timetable instead of the routing
that fetched them; a landing day's join band reads as the ride it is rather
than a nine hour drive of no length; the refuel offer is there on the road
out of a terminal or a pick-up desk; the phone's stage map draws the ride;
the share page numbers its stops the way the planner does; the PDF lists a
day the way the day plan lists it, from both shells; a poster-less clip draws
its play badge everywhere, not only in the editor; the hero title has room
for its descenders and the list card keeps its badge clear; the release
notice keeps its close control in reach when it stacks; a link chip's actions
are thumb-sized and its delete asks first; the Google retry line and the
Google-only switch appear only where Google answers.
The hero's content grid had an auto column, which takes the title's
min-content width. A title that is one long word made the column, the
tools row and the boarding pass as wide as that word, with edit, clone,
archive and delete pushed off the card. The column is capped at the card
now, and the title breaks inside it and stops at two lines.
The custom image control on a saved place's cover sat in the top left
corner, on top of the category chip, and hid half of it. It also looked
like nothing else on the cover: a square dark button next to a round
translucent close button.
The camera and the remove image button now sit in the top right corner
next to the close button, camera directly left of the X, remove further
left when there is a custom image, all three in the close button's
round translucent look with its hover, phone size and focus ring. The
phone sheet had the same overlap and gets the same row.
The category chip and the controls share one header, so neither can
run under the other: the controls hold the end and never shrink, and
the chip ellipsizes a long category instead of sliding under the
buttons in the narrow docked detail. On the phone the header is in
flow, so a place without a category starts its name below the buttons.
Picker, tooltip, labels, the spinner while an upload runs and the
removal control behave as before. The trip planner inspector keeps its
avatar overlay; it never had the overlap.
The labels tried the cover photo and lost: a blue chip on a blue sky is simply not
there, whatever shadow it carries. They sit beside the rating now, both as badges
on one row — two answers about the place, side by side, each legible.
The note takes the full width on a ground of its own. Loose in the column it read
as another paragraph of the panel rather than as something somebody wrote about
this place.
Asked for in the feedback: a wall of round photos, and no way to tell which is
which. "Name and displaying any custom rating would be very beneficial to quickly
seeing what is around you that is of interest."
The collections map had hover switched off. The trip map has told you what a
marker is all along, so it is the same card, now shared instead of written a
third time — it already existed twice, once per renderer, and the two had drifted
in how they resolved the category icon.
The card gains a rating, and so does the marker itself: an amber disc on the
corner where a trip's day numbers sit. The two never collide, because a numbered
stop is one already planned into a day and this answers the question asked before
that. Nothing is drawn for an unrated place, which is most of them.
Also from this round: the place panel's labels move up beside the name, where a
label belongs — read three rows down they looked like a property of the rating
above them — and the rating gets a ground of its own so a line of stars stops
reading as another row of text.
Getting directions sat up by the address, in a pill of its own, while editing and
copying sat in the footer as square buttons. All three are things you do WITH the
place, so they belong together and should look like one set. Navigation moves
down beside them, and the footer takes the shape the navigation button already
had.
Sharing a list works between people on the same TREK. This is the other
case: giving one to somebody who runs their own, or keeping a copy. Export
sits beside Edit and Share in the list header and downloads the open list;
Import sits beside New list in the rail, reads a file, shows what is in it
and makes a new list of it. Desktop only, which the route already decides.
What travels is what somebody wrote down: the list's name, colour and
description, its labels, and each place with its address, coordinates,
notes, status, contact details, category name and labels. A file is dull
JSON on purpose, so it can be read and edited by a person.
What does not travel is everything that only means something on the instance
it came from. Ids of every kind, since the receiver issues its own and a
category crosses over by name. Star ratings and members, because a rating is
an opinion somebody gave the people on that list. Provenance into trips,
which points at rows the receiver cannot see. And an image path under
/uploads, which resolves on the sender's server: only an absolute https URL
survives.
A file is a stranger's JSON and is read as one. It is parsed in the browser
that chose it and never uploaded; the parsed list goes through the same
contract on both sides; and a link that is not http(s) arrives as nothing
rather than as an anchor. Strict where it must refuse, forgiving where it
can drop: a file that does not say what it is never reaches the importer,
while one unreadable place inside it is skipped and counted, and one bad
field on a good place costs that field alone.
An import is always a new list. Importing into an existing one would mean
deciding what happens to a place that is already there, and every answer to
that is a merge nobody asked for.
The stops list was the longest thing in the travel panel by a distance: a
fortnight is fourteen rows, and it pushed the maps and the country tiles
below the fold on every journey. It is a folding section now, closed to
begin with, with the count of what still counts in its head, so the closed
section answers the question anyone opens it for. The rows are one line
each, the day loses its weekday, the country appears only on a journey with
more than one, and the switch is a mark rather than a word, which is what
lets the place name fit.
A picture uploaded onto an entry also goes into the gallery, because that is
where the row lives. The entry upload only answers with the entry's view of
it, so the store derives the gallery row it did not get and the content
browser shows a new picture without the journey being fetched again.
The content browser gets a filter over the journey's pictures: all of them,
the ones no entry holds, or one entry at a time, with the day and the place
under each name. An entry card in the Entries tab reaches its own pictures
the same way. Pictures can now come in without leaving Studio, into the
entry the filter names or into the gallery, from the panel or dropped
straight onto the page, and a photo element can fill its page or the whole
spread in one press.
Stops can be taken out of the arithmetic. A journal entry carries a
stats_excluded flag; an entry that has it is off the route, out of the
distance, out of the countries and not a step, while staying in the
journal. Studio lists every stop in the travel panel with a switch, the
entry editor carries the same switch on desktop and phone, and the entry
card says when a day is off the route.
Maurice