The chips offered to keep an attached file in Files, but nothing could do it:
the assistant's upload_trip_file stays denied, and the file never reached
Files. A new server write, keep_attached_file, is offered to the model where
the thread holds an attachment and held as a change card naming the file and
the booking, expense or place it goes with.
Applied, it runs the checks of a Files upload with the user's rights (the
demo block, the trip, file_upload and file_edit for a link, the instance's
file types, every linked id on the same trip), copies the bytes to a trip
file of their own, and writes the trip file, its expense link and the
attachment's pointer to it in one transaction; the members' planners get
file:created after it. A second keep of the same attachment answers the file
kept the first time. FilesService gains storeBytes and discardBytes so the
storage write stays out of that transaction.
The receipt opens the Files tab; the card's verb, its "Attached to" row and
the receipt's open label are new keys in all 27 locales. Undo is not offered:
no tool takes a trip file back yet.
The assistant could not read a file the user attached: the bytes were gone
after the request, the thread only held the file's name, and read_trip_file
stays denied because it would send any document of the trip to the provider.
A new server tool, read_attached_file, reads only the files attached in this
conversation by this user; any other id is answered "No such attachment in
this conversation.", whoever it belongs to. It is offered in a trip turn whose
thread holds a file with text. The first read of a file is held as a change
card that names the file and the model and host its text would go to; once
the user agrees, the agreement is kept on the attachment and later reads run
at once. The text reaches the model through the history and, for a later
read, as a tool answer only the model gets (AgentToolRun.modelText): no message
part, stream chunk, shared answer or client store ever carries it.
The model is told each kept file's attachment id, and the standing
instructions say to read the file when the user wants to work with it, to
propose a booking found in it through create_reservation and then to offer
keeping the file with it. The card's verb, its "Sent to" row and the step's
name are new keys in all 27 locales.
A booking file without a booking ended the answer on the error "No booking
found in this file." with no action, and the user was left to type. Now the
server answers every booking file itself, without a model: one line that
names the file and what TREK found in it, or that it found nothing, why, and
asks what to do with the file. Under it come up to three chips, picked from
what the user may do on the trip and what the file allows: keep it in Files,
make a booking from its text, attach it to a booking or an expense, ask what
is in it, or keep it with the booking just found. A chip sends its words as
an ordinary chat message.
The line and the chips are written in the language of the request from new
assistant.attach.* keys in all 27 locales, through a small helper the sports
proposals now share. The empty answer finishes as stop; no_bookings_found
stays in the contract for the threads older builds wrote. Route files keep
their answer as it was.
The factories behind the Travel panel's cards (a summary as a poster, a
ticket or a sign, a figure on a medal or an odometer, a map of the journey
or of one country, a mark as a stamp or a tag, a country as a stamp, a visa
or a postcard, each dressed in the book's theme) move to
book/travel/book-travel-looks.ts, so the auto layout can build its framing
pages from the same looks. Where an element lands stays the caller's: the
panel still centres it on the spread on screen, through the same wrapper and
the same API, and a designed page names its frame. A mark can now also take
an entry's value rather than the journey's.
Every style now has four covers and five double spreads, 108 in all, and the
spreads of each style take different photo counts, from a words-only page to
eight photos, so a book can be laid on them without an empty frame. The five
new styles come with their own themes: Riso (overprinted spot inks), Magazine
(a travel magazine), Retro travel (vintage posters), Midnight (a dark film
look) and Field notes (a traveller's notebook). Each new style has a cover
composer for the design engine and a recipe for the assistant, and its chip,
theme and template names are translated into every language.
The filled buttons set their label in text-accent-on, the accent used as
text on a plain surface, which on the accent's own ground is the same
colour: a black button with black words. They take text-accent-text, the
colour made for words on the accent, and a test pins it.
The release notes in Admin read ## as the version and ### as a section,
and printed a #### line as plain text. A release that heads each feature
inside a section with #### (Tours, TREK Studio under Added) now shows it
as a feature heading between the section and its text, on desktop and on
the phone.
The card that opened claude.ai's custom connector dialog for this instance
goes, with its phone twin, the line in the assistant setup that jumped to it,
its endpoint and its contract. Anyone who wants Claude uses TREK's MCP
server under Integrations, or an Anthropic key in the assistant. It came with
the assistant and never shipped in a release.
Every notification gets a tile in the colour of what it is about (a trip, a
message, a booking, packing, a to-do, Vacay, a collection, shared photos, a
tour, an update or an alert) with the sender's face on its corner, the page
and the bell's panel group the list under Today, Yesterday, the weekday or
the date, and answering or following a notification is a proper button.
The server's UTC timestamps are read as UTC for the grouping and the time.
A new question is held at the top of the view, so its answer reads from its
first line. When the answer carries steps, a strip of places and cards, its
closing words and the changes to apply ended below the view, and the user
saw only the places found. Once the answer is written, the thread now
scrolls to where those closing blocks begin, or to the bottom when they are
shorter than the view, unless the user scrolled it by hand meanwhile.
The screen texts name the top bar, the rail and the workbench as they are
after the redesign, the travel guide walks through the four tabs, and six
new guides cover what Studio gained since its help was written. Every
Studio picture is taken again, and all texts are translated.
The addons sit in a card per type now, the way every other admin tab sets
its cards, instead of three columns nested in one card. A head card shows
how many of each type are on and finds an addon by its name or description,
with a switch between all, the ones on and the ones off.
Absent means the classic look. Defaulting it wrote the field into every
element the auto layout and the templates build, which moved their parity
fixtures and grew the page tools past their schema ceiling; the new
descriptions are also shorter for the same reason.
The travel tab is four tabs now, figures, maps, countries and marks, and
offers only the newer looks, each dressed in the book's theme and linked to
it. The looks books already hold still draw on their pages exactly as
before; they are just no longer offered.
- Figures: a summary as a poster, a ticket, tiles, a road sign, an
odometer, a handwritten note, a pencil sketch or a band, and each figure
on its own as a medal, on odometer drums or ringed by hand.
- Maps: the route with its photographs, its stops numbered, its two ends
marked or on a dark ground, over satellite or relief imagery, a map per
trip, and a map of each country with its stops alone, cut to its shape.
- Countries: each country as a passport stamp, a visa, an airmail
postcard, its flag in cloth, a map pin, a luggage label or a sketch.
- Marks: the date, the day, the distance, the coordinates and the flag as
stamps, tags, pills, ribbons, die-cut stickers, embroidered patches and
sketches.
The schema gains a summary's and a country's look, seven mark styles and
the numbered and ends stops of a map, all additive, as revision 11.
Also in Studio: the save state is a tile beside who is here, a book a newer
Studio saved is said by an overlay that holds the whole Studio until it
reloads, and the page rail draws the first and the last page beside the
blank inside of their cover. The notifications page and the bell's panel
take the dialogs' look: a head with a tile, cards with an unread dot, and
tools that come forward on hover.
Every piece of the head row is one raised tile of one height: the format
picker moved beside the tools, the assistant and help stand alone, the
close button is square like the rest, and the beta mark is gone. The
layouts tab lays the book's own and the built-in layouts out in sections
and in the same grid as the designed pages. In the theme panel the accent
dots sit in the sheet's corner, the three accents share one name, a font
keeps its name ahead of its kind, a doubled rule is gone, and the
inspector's empty hint is shorter.
- Dashboard: a browser that names no time zone (Chrome on Windows for a zone
it cannot map) crashed the world clocks and the whole dashboard. One helper
now reads the browser zone and every reader picks its fallback; a stored
zone the browser does not know is left out instead of throwing (#2694).
- Phone: a leg of a multi-leg train or flight showed only its route, and its
sheet showed the first leg's seat. The day plan subtitle is one helper for
desktop and phone now, so a leg names its own train or flight, platform and
seat, translated instead of the hardcoded "Gl."/"Sitz"; the sheet opened
from a leg shows that leg's number, seat, platform and times (#2701). The
PDF export translates platform and seat too.
- Journey list: the year badge named the year a journey was written, not the
years of its trips; a trip over New Year shows both (#2685).
- A place's description and notes are markdown in the planner but printed as
raw syntax in the PDF export and on a shared trip. Both render it now through
the app's sanitized markdown pipeline, raw HTML stays text (#2692).
Closes#2694Closes#2701Closes#2685Closes#2692
Every add in the Studio (a sticker, a shape, an icon, a text, a frame, a line,
a travel element, a photo from the content panel or a drop), a text style and
a grid of frames appended without looking at the page's cap of 90 elements,
which paste and duplicate already kept. The save then failed with a 400 and
every later save of the book failed the same way. Each of them now leaves a
full page as it is and selects nothing, as a paste does.
The opacity slider committed on every key let go on it, so the Tab that moved
the focus there wrote the value it was last moved to, an empty undo step at
best and another colour's opacity at worst. It commits once after it moved,
on the key or the pointer let go or when the focus leaves.
The Theme panel threw away colours, faces and motifs being tried whenever the
book came back from a save by another editor or the assistant, because the
same theme read anew is a new object. The draft now follows the book's theme
only when the theme itself changed.
The sheet listened on the window in the capture phase, before any control saw
a key. Delete on a focused gradient stop removed the whole shape, an arrow on
the angle dial or the radial centre also moved the shape, and Delete, the
arrows and Ctrl+V pressed on a button of the assistant's window acted on the
page although the window stops its keys. The sheet now listens on the
document as the key bubbles, after every control had it and still before the
page's Escape on the window, and leaves a key whose default was prevented. A
gradient stop takes Delete and Backspace even when the last two stops cannot
go.
The layers panel was a tree a keyboard could not walk: only its toggles could
be focused. The tree is now one stop in the Tab order, the row last focused or
else the selected one. Up and Down move along the rows, Home and End to the
ends, Right opens a group or steps into it and Left closes it or steps from a
member up to its group (mirrored right to left), Enter or Space selects a row
as a click does with Shift adding, and F2 renames it. Enter and Escape in the
name field hand the focus back to its row, and the row in focus is ringed. A
hidden or locked layer that cannot be clicked on the page is reached this way.
Paste style wrote the copied fields straight onto the element, although a
pasted look is meant to be the style operation the assistant sends. It now
runs the engine's own restyle (bookElementStyled): a colour or face pasted by
hand takes the element off the theme, so the next theme applied no longer
brings the old colour back; a plain fill replaces the paint of the shape it
lands on instead of staying hidden under it; and a line takes another line's
look without its points, which are its course, not its look.
A background picked by hand in the inspector kept the page's link to the
theme, so the next theme applied set the page back to the theme's colour. The
picker and the background operation now paint through one helper that takes
the link away (withSpreadPaintByHand). Giving one page's background to every
page carries that page's link along, or takes the others' away when it was
painted by hand.
A built-in layout, a book's own layout and laying a page out again from its
entry ignored locks in the Studio: a locked shape was dropped and a locked
photo poured into a slot unlocked, while the assistant's layout operation left
both where they were. All four now lay a page out around its locked elements
through one function (layoutAroundLocks), which the engine's layout operation
uses too.
Fill page and fill spread kept the photo in its group, so the background
picture was selected and dragged with its caption and listed under the group
at the front. It leaves its group as the engine's fill does, and a group left
with one member goes.
The rail lists its sections in the order a book is made: Pages, Content,
Layouts, Elements and Travel, then Theme and Layers set apart below a rule.
Stickers are a tab of Elements beside the icons instead of a rail section of
their own, and Elements has six tabs (text, shapes, lines, frames with the
grids, icons, stickers). The quotation mark moved to the text styles, the
outline rectangle to the basic shapes and the plain rule to the lines. The rail
and every tab row are tab lists the arrow keys walk through, and a long name
wraps instead of being cut. The icon and sticker searches say in the field how
many match, which the sticker library's own head used to.
Every panel on both sides opens on the same head, and every labelled control
uses one row that moves the control under its label when the two do not fit,
so no label sits in a fixed column any more. Number fields, chips, sliders,
tab labels, theme names and travel cards wrap the same way, a country beside
a stop wraps under itself, and an upload cell holds its words to two lines
with the whole label in its tooltip. The heads, shelves and groups are real
headings, so a screen reader can walk the panels by them.
The inspector shows every kind in one order: what the element is and says,
its position and size, its look, its effects, then Arrange. Align and the
stacking buttons are one Arrange group with a button that opens the page in
Layers; its rows sit under their labels, each in two sets that move to a
second line whole. Rarely used groups start folded and open on an element
that already uses them (a turned element, a map held at a zoom, a summary set
in another face), and every group mounts afresh for the next selection. A
sticker's duplicate angle and opacity are gone in favour of the shared
position group, which now has the turn buttons for every kind. With several
elements selected it keeps their angle, opacity and turn, and the mirror when
all of them are stickers, and leaves the frame's numbers to one element. A
photo's fill page and fill spread sit under its crop. With nothing selected
the inspector shows the page background, the book's theme with the way to the
Theme panel, and the page numbers.
Seventeen translation keys nothing has used since before the rebuild (the old
inspector title, the empty spread note, the summary and country list names,
the roads buttons and others) are gone from every language. The broad key
template the old panels used had counted them as reached; the format names,
the empty photo grid messages and the map source hints are now named where the
key check can read them.
Also fixed on the way: the travel stops list shared its class with the
gradient stops and was laid out as sixteen pixel handles; the alignment
buttons were named in raw English; the map's print resolution note joined its
two halves with a dash.
Both go straight to the server. While an edit of the same tour still waited in
the queue, the restore went out first and its answer replaced the cached edit,
and the edit replayed afterwards planned the track over again. A copy copied
the server's older line instead of the one on screen. Both now wait the way the
actual track writes do: offline, behind a queued write of the tour, or for a
tour the server has not got yet they refuse with OnlineOnlyError, and the
planner says a connection is needed and the waiting changes go first, in all
27 languages.
The home chat's trip list opened before its trips had loaded, so the focus
stayed on its button and no trip could be reached by keyboard; the first trip
now takes the focus once the list is there. The header's menu says whether it
is open, and closed by Escape or a pick it hands the focus back to its
button, so the next Escape closes the window again. The open chat in the
history list is announced as the current one.
- design_book takes a brief (energy, decoration, collages, theme), a cover
archetype and a cover lockup, and pages.overrides that give single pages of
the plan another beat or layout. Directives written before parse as they
did, and a design asked for none of it is composed exactly as before.
- The engine composes the seven cover archetypes from the book's own photos,
words, theme faces and colours, lockups, shapes and stickers, varied by the
seed: spine band, poster pop, cut-out, illustrated postcard, grid and
badge, minimal serif and stamp collage. A title the directives give a
display tier is held to it, and the notes say when a band, a badge or a
stamp holds it smaller or a cover leaves a layout out.
- A lively or loud book turns two in five hero and grid spreads into
collages, script overlays, badge grids, stamp rows or two-tone splits, the
first of them always, turns and frames the prints of its other pages, sets
its cover title larger and takes one or two, or three to six, stickers of
its theme's motifs a spread, never over words, a photo's detail or the
fold. A calm book asked for collages gets them and nothing else.
- Every turn the engine gives a print or a sticker stays within what the
brief's energy takes, a calm book's within its theme's own, so a design is
never judged against its own brief.
- New checks name a flat cover, a page without a lead, colours or faces off
the theme and, for a design made with a brief, a book livelier or calmer
than it asked, on the pages the design made and on a page revised in the
draft. Page edits answer with the art checks too, and the assistant's
cards name them in every language.
- list_book_assets lists the shapes, faces, lockups, themes and patterns
beside the stickers, and the Studio's shape groups and photo frames are one
list the assistant reads too.
- The Studio prompt gains an index of themes, archetypes and faces and JSON
recipes of the elements to add and style for each cover and three lively
spreads, and a turn that designs the book may preview sixteen pages, still
three images a request; a viewer is told of none of it.
The Templates section of the rail now opens on the decorated templates of
the page's kind, covers two to a row and spreads at full width, each card
the page renderer drawing the page the click will lay: this page's photos
and words in it, in the book theme, a cover in the journey's title and
subtitle as the assistant's layout sets it. A row of style chips narrows
the set to one archetype. A click is one undo step on the page as it is
then, refused for the other kind of page, and opens the photos when frames
are left empty. The book's own layouts and the built-in wireframes follow
below, and the help guide and the wiki describe the panel as it now is.
The panel moved out of StudioSidebar into its own file; the sidebar keeps the
rail, and its two physical sides went with the code, so the rtl baseline
entry goes too. The Travel panel and a template's map build the journey
they draw with one helper.
A decorated template is a whole designed page kept as data: full document
elements in fractions of the page they were drawn on, with roles for the
photos and words a page brings, links to the theme for its colours and
faces, groups for its lockups (a title with its date line, a badge with its
words, a stamp with its postmark) and an archetype with tags. Seven cover
archetypes in three variants each and sixteen double spreads ship in
shared/src/book/templates/data.
Laying a page out on one pours its photos into the photo roles in order and
its words into the title, subtitle, date, story and caption roles, takes
the words it has none for from the book or the journal entry, sets the
template in the book theme, scales it to the page format with its bleeds
on the bleed of that page, and parks what has no room, a date line the date
mark was not made of included. A text set on a colour is made to read there
at the size it was fitted to, on a band of ink or paper when neither reads.
A mark set as text, such as a large quotation mark, is design to every
layout and never taken for the words of a page.
A fitted text keeps the size it was drawn at as its ceiling, so a shorter
title grows back, and every fitted text is now solved with eight percent of
headroom on letter width: set in the browser, the bold condensed faces and
several scripts run that much wider than the letter measure, and a fit at
exactly the measure wrapped its last word out of the frame.
The layout operation of edit_book_page and revise_book_design takes the new
ids as a checked string and keeps the name of a locked group,
list_book_layouts lists them with archetype, tags and roles, and the design
prompt names them. A sibling extract script reads a page drawn in the
Studio back into the format, roles, tints and groups kept.
- The warmed fonts' key sorts by code units, so the same faces give the same
key in every locale.
- The nearest weight of a snapshot face starts from the first face it has.
- The round hike search names its candidates with their place in the list
explicitly instead of handing map a function of two arguments.
- The element, spread, document, page operation and card unions carry a
name of their own, so the declarations of every schema that holds them
refer to them instead of spelling them out again. The shared declarations
shrink from 9 to 5.5 MB and the server's typecheck from 4.4 to 2.9 GB, so
the build fits the image's 4 GB again.
- edit_book_page and revise_book_design take add by what the element is,
with an id of its own; its look follows with style by that id in the same
call, every look field described once. A change an assistant card kept
with its look on add still reads and runs.
- restore_book_page states what every element has once, then each kind's
own fields and the type the five travel kinds share, without defaults; the
page is read as a spread again before it goes back.
- The theme links are explained once in the page edit's description, and
style points a text's face, a shape's paint and outline and a photo's crop
look at their one full description.
- The lockup roles live in a module of their own, so the operation schemas
no longer import the lockup engine, whose cycle left the operations unset
in the shared tests.
- The theme switches no longer fall through a comment, the newer document
test follows the current revision, the line inspector names its stroke
keys, a text's anchor reads no physical side, two shapes record the
proportions they are drawn at, and the photo look and line tests follow
the slider and the folded ornaments.
- A text can be cased (capitals, lower case, small caps), placed at the top,
middle or foot of its frame, outlined, given a hard shadow or a marker band,
bent on an arc or round a circle, filled with a gallery photo or left
hollow, and shrunk to fit its frame. Every effect prints as vector: copies
and strokes for HTML type, textPath and a clip over an <image> for SVG.
- Fitting is solved when the text is edited, in the Studio and in the edit
engine, and stored; the chosen size is kept as the ceiling.
- Text sizes reach 400 pt and tracking 1.5 em.
- The Elements panel opens on a Text tab: the plain styles and 24 lockups
(titles, badges and stamps, chapter marks, quotes, captions, places), each
drawn with the book's own title and placed as one group.
- The assistant sets every effect through style and add, places a lockup with
add_lockup, reads the effects in describe_book_page and gets two new
findings (curve_overflow, effect_heavy) beside photo-fill and band checks.
- Book format revision 6.
- Fifty more shapes: arches, paper cut-outs (leaves, coral, weed, organic
circles, a wonky star and sun), stamps, a postmark, a rosette, tags and
ticket stubs, sunbursts, ribbons and bands, speech bubbles, drawn arrows,
hearts, stars, photo frames and ornaments (scroll, laurel, fleuron, corner).
The broad ones are photo frames too, and each tile is drawn at its shape's
own proportions, which a new shape is also placed at.
- A cut edge on rectangles, circles, arches and the other broad shapes, painted
or not, and on a photo's cut: zigzag, scallop, a postage stamp's perforation,
wavy, torn and deckle, with a depth in millimetres. Cut in millimetres, so
holes stay round on a wide frame.
- A line element: two to 32 points dragged on the canvas (a handle pulled from
the middle adds one, a double-click removes it), straight or curved, solid,
dashed or dotted, a wave or a zigzag, a hand-drawn wobble, a head on either
end and an ornament in the middle. A shelf of lines and dividers places them.
- The assistant reaches all of it: add and style take the line (its points on
the spread in mm) and the edges, describe_book_page says them, and two new
findings say when a line is too thin to print and when an edge is set on a
shape that takes none. A photo's mask is checked against the shape set
rather than listed again, which keeps the page edit's schema smaller.
- BOOK_SCHEMA_REV goes to 6.
Photos get a look beyond crop, mask and frame style, in Studio and for the
assistant alike:
- border (width and colour, following the mask or the corner radius), a hard
offset shadow and a die-cut cutout edge, all flat vector shapes in print
- zoom 1 to 4 about the focal point and a left to right mirror
- brightness, contrast, saturation and warmth, and a duotone; these are
filters, labelled raster in print in the inspector
- the print resolution of the selected photo in the inspector, with a warning
under 200 dpi, measured from the original
PhotoView moves out of SpreadView into its own file and uses per instance
SVG ids, so a spread drawn twice keeps its clips and filters apart. The style
operation takes the look, describe-spread lists it, the dpi and crop findings
account for zoom and mirror, and a new raster_effect finding notes filters on
a large photo. BOOK_SCHEMA_REV goes to 6.
Maurice