Every add in the Studio (a sticker, a shape, an icon, a text, a frame, a line,
a travel element, a photo from the content panel or a drop), a text style and
a grid of frames appended without looking at the page's cap of 90 elements,
which paste and duplicate already kept. The save then failed with a 400 and
every later save of the book failed the same way. Each of them now leaves a
full page as it is and selects nothing, as a paste does.
The opacity slider committed on every key let go on it, so the Tab that moved
the focus there wrote the value it was last moved to, an empty undo step at
best and another colour's opacity at worst. It commits once after it moved,
on the key or the pointer let go or when the focus leaves.
The Theme panel threw away colours, faces and motifs being tried whenever the
book came back from a save by another editor or the assistant, because the
same theme read anew is a new object. The draft now follows the book's theme
only when the theme itself changed.
The sheet listened on the window in the capture phase, before any control saw
a key. Delete on a focused gradient stop removed the whole shape, an arrow on
the angle dial or the radial centre also moved the shape, and Delete, the
arrows and Ctrl+V pressed on a button of the assistant's window acted on the
page although the window stops its keys. The sheet now listens on the
document as the key bubbles, after every control had it and still before the
page's Escape on the window, and leaves a key whose default was prevented. A
gradient stop takes Delete and Backspace even when the last two stops cannot
go.
The layers panel was a tree a keyboard could not walk: only its toggles could
be focused. The tree is now one stop in the Tab order, the row last focused or
else the selected one. Up and Down move along the rows, Home and End to the
ends, Right opens a group or steps into it and Left closes it or steps from a
member up to its group (mirrored right to left), Enter or Space selects a row
as a click does with Shift adding, and F2 renames it. Enter and Escape in the
name field hand the focus back to its row, and the row in focus is ringed. A
hidden or locked layer that cannot be clicked on the page is reached this way.
Paste style wrote the copied fields straight onto the element, although a
pasted look is meant to be the style operation the assistant sends. It now
runs the engine's own restyle (bookElementStyled): a colour or face pasted by
hand takes the element off the theme, so the next theme applied no longer
brings the old colour back; a plain fill replaces the paint of the shape it
lands on instead of staying hidden under it; and a line takes another line's
look without its points, which are its course, not its look.
A background picked by hand in the inspector kept the page's link to the
theme, so the next theme applied set the page back to the theme's colour. The
picker and the background operation now paint through one helper that takes
the link away (withSpreadPaintByHand). Giving one page's background to every
page carries that page's link along, or takes the others' away when it was
painted by hand.
A built-in layout, a book's own layout and laying a page out again from its
entry ignored locks in the Studio: a locked shape was dropped and a locked
photo poured into a slot unlocked, while the assistant's layout operation left
both where they were. All four now lay a page out around its locked elements
through one function (layoutAroundLocks), which the engine's layout operation
uses too.
Fill page and fill spread kept the photo in its group, so the background
picture was selected and dragged with its caption and listed under the group
at the front. It leaves its group as the engine's fill does, and a group left
with one member goes.
The rail lists its sections in the order a book is made: Pages, Content,
Layouts, Elements and Travel, then Theme and Layers set apart below a rule.
Stickers are a tab of Elements beside the icons instead of a rail section of
their own, and Elements has six tabs (text, shapes, lines, frames with the
grids, icons, stickers). The quotation mark moved to the text styles, the
outline rectangle to the basic shapes and the plain rule to the lines. The rail
and every tab row are tab lists the arrow keys walk through, and a long name
wraps instead of being cut. The icon and sticker searches say in the field how
many match, which the sticker library's own head used to.
Every panel on both sides opens on the same head, and every labelled control
uses one row that moves the control under its label when the two do not fit,
so no label sits in a fixed column any more. Number fields, chips, sliders,
tab labels, theme names and travel cards wrap the same way, a country beside
a stop wraps under itself, and an upload cell holds its words to two lines
with the whole label in its tooltip. The heads, shelves and groups are real
headings, so a screen reader can walk the panels by them.
The inspector shows every kind in one order: what the element is and says,
its position and size, its look, its effects, then Arrange. Align and the
stacking buttons are one Arrange group with a button that opens the page in
Layers; its rows sit under their labels, each in two sets that move to a
second line whole. Rarely used groups start folded and open on an element
that already uses them (a turned element, a map held at a zoom, a summary set
in another face), and every group mounts afresh for the next selection. A
sticker's duplicate angle and opacity are gone in favour of the shared
position group, which now has the turn buttons for every kind. With several
elements selected it keeps their angle, opacity and turn, and the mirror when
all of them are stickers, and leaves the frame's numbers to one element. A
photo's fill page and fill spread sit under its crop. With nothing selected
the inspector shows the page background, the book's theme with the way to the
Theme panel, and the page numbers.
Seventeen translation keys nothing has used since before the rebuild (the old
inspector title, the empty spread note, the summary and country list names,
the roads buttons and others) are gone from every language. The broad key
template the old panels used had counted them as reached; the format names,
the empty photo grid messages and the map source hints are now named where the
key check can read them.
Also fixed on the way: the travel stops list shared its class with the
gradient stops and was laid out as sixteen pixel handles; the alignment
buttons were named in raw English; the map's print resolution note joined its
two halves with a dash.
- design_book takes a brief (energy, decoration, collages, theme), a cover
archetype and a cover lockup, and pages.overrides that give single pages of
the plan another beat or layout. Directives written before parse as they
did, and a design asked for none of it is composed exactly as before.
- The engine composes the seven cover archetypes from the book's own photos,
words, theme faces and colours, lockups, shapes and stickers, varied by the
seed: spine band, poster pop, cut-out, illustrated postcard, grid and
badge, minimal serif and stamp collage. A title the directives give a
display tier is held to it, and the notes say when a band, a badge or a
stamp holds it smaller or a cover leaves a layout out.
- A lively or loud book turns two in five hero and grid spreads into
collages, script overlays, badge grids, stamp rows or two-tone splits, the
first of them always, turns and frames the prints of its other pages, sets
its cover title larger and takes one or two, or three to six, stickers of
its theme's motifs a spread, never over words, a photo's detail or the
fold. A calm book asked for collages gets them and nothing else.
- Every turn the engine gives a print or a sticker stays within what the
brief's energy takes, a calm book's within its theme's own, so a design is
never judged against its own brief.
- New checks name a flat cover, a page without a lead, colours or faces off
the theme and, for a design made with a brief, a book livelier or calmer
than it asked, on the pages the design made and on a page revised in the
draft. Page edits answer with the art checks too, and the assistant's
cards name them in every language.
- list_book_assets lists the shapes, faces, lockups, themes and patterns
beside the stickers, and the Studio's shape groups and photo frames are one
list the assistant reads too.
- The Studio prompt gains an index of themes, archetypes and faces and JSON
recipes of the elements to add and style for each cover and three lively
spreads, and a turn that designs the book may preview sixteen pages, still
three images a request; a viewer is told of none of it.
The Templates section of the rail now opens on the decorated templates of
the page's kind, covers two to a row and spreads at full width, each card
the page renderer drawing the page the click will lay: this page's photos
and words in it, in the book theme, a cover in the journey's title and
subtitle as the assistant's layout sets it. A row of style chips narrows
the set to one archetype. A click is one undo step on the page as it is
then, refused for the other kind of page, and opens the photos when frames
are left empty. The book's own layouts and the built-in wireframes follow
below, and the help guide and the wiki describe the panel as it now is.
The panel moved out of StudioSidebar into its own file; the sidebar keeps the
rail, and its two physical sides went with the code, so the rtl baseline
entry goes too. The Travel panel and a template's map build the journey
they draw with one helper.
- The warmed fonts' key sorts by code units, so the same faces give the same
key in every locale.
- The nearest weight of a snapshot face starts from the first face it has.
- The round hike search names its candidates with their place in the list
explicitly instead of handing map a function of two arguments.
- The element, spread, document, page operation and card unions carry a
name of their own, so the declarations of every schema that holds them
refer to them instead of spelling them out again. The shared declarations
shrink from 9 to 5.5 MB and the server's typecheck from 4.4 to 2.9 GB, so
the build fits the image's 4 GB again.
- edit_book_page and revise_book_design take add by what the element is,
with an id of its own; its look follows with style by that id in the same
call, every look field described once. A change an assistant card kept
with its look on add still reads and runs.
- restore_book_page states what every element has once, then each kind's
own fields and the type the five travel kinds share, without defaults; the
page is read as a spread again before it goes back.
- The theme links are explained once in the page edit's description, and
style points a text's face, a shape's paint and outline and a photo's crop
look at their one full description.
- The lockup roles live in a module of their own, so the operation schemas
no longer import the lockup engine, whose cycle left the operations unset
in the shared tests.
- The theme switches no longer fall through a comment, the newer document
test follows the current revision, the line inspector names its stroke
keys, a text's anchor reads no physical side, two shapes record the
proportions they are drawn at, and the photo look and line tests follow
the slider and the folded ornaments.
- A text can be cased (capitals, lower case, small caps), placed at the top,
middle or foot of its frame, outlined, given a hard shadow or a marker band,
bent on an arc or round a circle, filled with a gallery photo or left
hollow, and shrunk to fit its frame. Every effect prints as vector: copies
and strokes for HTML type, textPath and a clip over an <image> for SVG.
- Fitting is solved when the text is edited, in the Studio and in the edit
engine, and stored; the chosen size is kept as the ceiling.
- Text sizes reach 400 pt and tracking 1.5 em.
- The Elements panel opens on a Text tab: the plain styles and 24 lockups
(titles, badges and stamps, chapter marks, quotes, captions, places), each
drawn with the book's own title and placed as one group.
- The assistant sets every effect through style and add, places a lockup with
add_lockup, reads the effects in describe_book_page and gets two new
findings (curve_overflow, effect_heavy) beside photo-fill and band checks.
- Book format revision 6.
- Fifty more shapes: arches, paper cut-outs (leaves, coral, weed, organic
circles, a wonky star and sun), stamps, a postmark, a rosette, tags and
ticket stubs, sunbursts, ribbons and bands, speech bubbles, drawn arrows,
hearts, stars, photo frames and ornaments (scroll, laurel, fleuron, corner).
The broad ones are photo frames too, and each tile is drawn at its shape's
own proportions, which a new shape is also placed at.
- A cut edge on rectangles, circles, arches and the other broad shapes, painted
or not, and on a photo's cut: zigzag, scallop, a postage stamp's perforation,
wavy, torn and deckle, with a depth in millimetres. Cut in millimetres, so
holes stay round on a wide frame.
- A line element: two to 32 points dragged on the canvas (a handle pulled from
the middle adds one, a double-click removes it), straight or curved, solid,
dashed or dotted, a wave or a zigzag, a hand-drawn wobble, a head on either
end and an ornament in the middle. A shelf of lines and dividers places them.
- The assistant reaches all of it: add and style take the line (its points on
the spread in mm) and the edges, describe_book_page says them, and two new
findings say when a line is too thin to print and when an edge is set on a
shape that takes none. A photo's mask is checked against the shape set
rather than listed again, which keeps the page edit's schema smaller.
- BOOK_SCHEMA_REV goes to 6.
Photos get a look beyond crop, mask and frame style, in Studio and for the
assistant alike:
- border (width and colour, following the mask or the corner radius), a hard
offset shadow and a die-cut cutout edge, all flat vector shapes in print
- zoom 1 to 4 about the focal point and a left to right mirror
- brightness, contrast, saturation and warmth, and a duotone; these are
filters, labelled raster in print in the inspector
- the print resolution of the selected photo in the inspector, with a warning
under 200 dpi, measured from the original
PhotoView moves out of SpreadView into its own file and uses per instance
SVG ids, so a spread drawn twice keeps its clips and filters apart. The style
operation takes the look, describe-spread lists it, the dpi and crop findings
account for zoom and mirror, and a new raster_effect finding notes filters on
a large photo. BOOK_SCHEMA_REV goes to 6.
The add button reads "+ Page" with the full "Add page" as its title and
accessible name, so it no longer wraps onto two lines. The elements panel's
tabs size to their word and break onto a second row when they do not fit,
where equal widths cut the longest word.
The ids of long catalogues (fonts, shapes, patterns) read as a checked string
in the book tools' schemas, so restore_book_page and the page edit stay under
their ceilings. The lightbox takes its reading direction from the language.
Baselines follow the removed avatar upload and the lower counts, the doubled
NEWER constants and three unused imports go, the locale indexes are sorted,
and the place gallery, picture, sheet, inspector weight and paddle tests
follow the merged behaviour.
- The opacity and paint sliders remember the value they were last moved to and commit that when let go, instead of reading the controlled input, which still shows the old value until the parent renders.
- The render test's old-fade shape is star-5; star is not a shape, so the whole fixture failed to parse.
Elements can be grouped on a page and picked, moved, resized, aligned and
restacked as one. A layers panel lists the page front to back with lock,
visibility, rename and drag to restack. The sheet gains marquee selection,
arrow-key nudge, one box that resizes a multi-selection with Shift holding
the proportions, and the design-tool shortcuts. The inspector lines a
selection up and spaces it out, and copies and pastes a style.
The assistant gets the same through the group, ungroup, name and hide
operations, and describe_book_page lists the groups. The format gains the
optional group, name and hidden fields and a spread's group names, so
BOOK_SCHEMA_REV goes to 2.
A new element kind, sticker, draws layered vector illustrations from a library in twelve themes, behind its own entry point @trek/shared/stickers. Studio gets a Stickers rail section (themes, localized search, recently used, click or drag to place) and an inspector for colour slots, mirroring, turning and opacity. The assistant gets list_book_assets, add and style of stickers in edit_book_page, stickers in describe_book_page and an overlap warning for a sticker over words. BOOK_SCHEMA_REV goes to 2.
- A shape and a page take a paint: one colour with its own alpha, a linear or
radial gradient of two to six stops, or one of twelve patterns (checks,
gingham, stripes, pinstripes, dots, polka dots, zigzag, waves, grid, scales,
sunburst, confetti). fill, gradient and background keep the colour that
stands for the paint, so an older reader still draws something close, and a
plain colour or the old cover fade is stored in the old fields alone.
- Gradients render as SVG in user space with ids per mounted copy, so the two
halves of a spread in page mode never share a defs id; patterns are drawn
out as geometry clipped to the outline and capped at 2000 primitives.
- The new paint picker has none, solid, gradient and pattern tabs, a stop bar
to click, drag and pull stops off, an angle dial, a radial centre pad and
pattern tiles drawn by the page's own generator.
- Every swatch row gains the book's own colours, colours read from the
page's photos, recent colours and, where it applies, an opacity slider.
- With nothing selected the inspector sets the page background, gives it to
every page of its kind, and lays a photo under the whole page.
- The assistant's background operation takes a paint as well as a colour,
style and add set a shape's paint, and describe_book_page reads both.
- BOOK_SCHEMA_REV goes to 2.
The book catalogue grows from 7 families to 34, all self-hosted through
@fontsource under the SIL OFL 1.1 or the Apache License 2.0: condensed and
poster faces, heavy retro display, elegant display serifs, Montserrat, twelve
scripts and DM Mono. Weights run from 100 to 900, each family offering only
the weights it ships, and the serifs gain real italics.
The catalogue lives in @trek/shared (book-fonts.data.ts) with each family's
roles (display, heading, body, script, mono), weights, italics and letter
width, so the Studio, the findings, the design engine and the assistant read
one list. Page operations and the design engine set a weight a family lacks
at its nearest one, describe_book_page names the role and the weight, and
font_mix no longer counts scripts and mono faces, warning above three.
The Studio gets StudioFontPicker: the current family set in itself, a
searchable list grouped by kind with every family in its own face and the
book's own families first, and a weight slider over the weights the family
has. Faces load only when used; the assistant's page snapshot embeds only the
faces a page draws, the service worker installs only the latin files of the
original seven families, and the faces of an opened book are cached for
offline use. BOOK_SCHEMA_REV goes to 2.
The chat is a lazy chunk that grew with the kept notes and the place picker;
findBy's default second ran out on the CI shard, so the welcome was never
found. The waits for it get ten seconds, under the fifteen second test limit.
- The design prompt keeps the print rules and adds energy: calm keeps today's
rules, lively and loud layer photos, tilt, set oversize display type and
block colour. Type sizes come as numbers relative to the page, and the model
answers eight silent questions and previews the cover twice before it
proposes.
- The type scale reaches 2.5 and a display tier sets a cover title up to
200 pt; existing books keep their sizes.
- An overlap is severe only where more than half of a photo or a text is
covered by accident; a title over a photo, a framed inset or a turned photo
is layering.
- The assistant may use every icon of the icon tab, checked by name, and every
enum of the book tools says what its values mean.
- A book carries schemaRev. The reader that meets a newer one opens the book
read-only with a reload banner and saves nothing, where it used to drop the
elements it could not read on the next save.
- The server refuses a save, a restore or a tool edit that would write an older
revision over a newer book or one newer than itself (409 book_schema_newer),
on REST and through every book tool alike.
- normalizeBookDocument moves to book-normalize.ts.
- Print waits for photos eagerly and up to 15 s for an export of more than 40
photos, and skips images without a source.
The column took the page's room and cut the spread off. The Studio now opens
the same movable, resizable window as the planner, kept under its own key and
below the Studio's bar; its frame moved into assistantFrame.ts and
AssistantFrameEdges so both windows share it.
The day word of every language now says where the number goes ("DAY {day}",
"{day}日目", "第{day}天", "{day}. GÜN"), and one helper builds the mark for the
engine, the auto layout, a template and the Travel panel, so Japanese,
Korean and Chinese no longer read "日目 3". A word stored without the
placeholder is followed by the number as before. The panel's own day word is
gone with its only reader.
A country mark carries the name as its words beside the outline and a flag
mark sets it small beside the flag, the same for the engine's value, the
panel's tile, the assistant's add and a template's country mark; a flag in a
template keeps the place its name was drawn in. A flag or country mark asked
for by its own code is named after that country without the journey having
to name one.
The Studio drew the page after a held edit or cover change by running the
card's operations on its own book, which knows nothing of the journey's
photos, words and figures, so a caption from a photo, a text from an entry
or a map from the route came out differently or not at all. The card now
carries the page the server's trial made with the full context, read with
the book's schema and within the card's size, and the Studio draws it while
its book stands at the version the trial ran on. A book that moved on, a
card from before and a page too heavy to carry still run the operations on
the book on screen, the book the change will run on. The receipt leaves the
page out, since an applied change is drawn from the book itself.
The dashboard's button reset outranked the utility classes the chat is drawn
with, so inside Studio the apply and discard buttons, the follow up chips and
the page checkboxes of a design card lost their look, the checkboxes so far
that nobody could see them. The column is now left out of that reset. The
assistant toggle shows only its icon below 1520 pixels and the journey's name
gives way before the bar runs past the window, and the inspector floating
over the page has a solid ground, so it stays legible in the dark scheme.
Figures, countries, maps and marks placed from the panel are the elements the
assistant adds, built by the shared factories; the panel keeps only their
placement. A trip map no longer carries the whole journey's trail, switching a
map's scope re-cuts it the way the engine does and clears the roads of the old
legs, and switching back to the whole journey restores the trail.
A page preview draws the spread the server applied with the journey's photos,
texts and figures instead of applying the operations again without them. The
Studio's welcome, privacy banner and header fit a journey chat: a viewer is
told they can only look, the banner speaks of the book, and the trip notes
button stays in the trip chat. Escape closes the header menu before it stops a
reply, a single page renders at the full long edge, the status says a model
reads pages only while its provider has not refused an image, and pointing at
a page in a design card outlines it in the Studio.
A chat column in the Studio with its own privacy notice, a live page snapshot
through modern-screenshot that leaves out photos of other people and foreign
map tiles, and flushes before every turn and apply.
Every element kind and Studio tool gets an op, the auto layout and its
templates move from the client to shared with a parity fixture, and a pure
design engine turns directives into a finished book with design findings.
haversineKm in src/utils/geo.ts answered NaN for some near antipodal pairs,
for example 47.3812, -10.8827 and -47.3812001, 169.1173. Rounding pushed the
haversine term a hair past 1, and asin of a value above 1 is NaN, which then
spread into route sums and range checks.
Cause: unlike the Studio legKm and the roadtrip haversineKm in
@trek/shared, the shared client helper had no clamp before Math.asin.
Fix: clamp with Math.min(1, ...) before Math.asin. With the clamp the helper
runs exactly the operations of Studio legKm in the same order (2 * 6371 is
12742), so Studio now uses haversineKm and legKm goes, with its cases carried
into the new geo tests. The roadtrip variant multiplies its terms in another
order and gives different last bits, so it stays as it is.
Red test: src/utils/geo.test.ts FE-UTIL-GEO-002 failed on the unfixed code
with "AssertionError: expected NaN to be close to 20015.086796020572,
received difference is NaN, but expected 0.0005".
Removed tests: src/components/Studio/legKm.test.ts went with legKm. Its four
cases (zero for one point, a degree of latitude about 111.19 km, the same
both ways between 8700 and 8900 km, 0,0 to 0,180 equal to 12742 * PI / 2) now
run against haversineKm as FE-UTIL-GEO-001, 003 and 004.
TravelElements ramped how far a leg bows by a local km helper and
roadRoute refused long legs by a second copy of it. Both now call legKm
from legKm.ts, the same formula with the same clamp.
The text inspector and the travel inspector each drew the same row of
typeface buttons and the same weight choice. Both now render FontButtons
and WeightLine from StudioTypeControls.tsx. The travel inspector keeps
casting its patches to Partial<BookElement>, so each side writes exactly
the fields it wrote before.
Finishes the plural work the previous wip commit started. t() picks a
count string's form by the language's own Intl.PluralRules, and every
locale now spells out the forms its language reaches with whole
numbers, about 160 count strings in all: one, few and many in Russian,
Ukrainian and Polish, one and few in Czech and Slovak, five forms in
Arabic, one in the others, none in Japanese, Korean, Chinese, Thai,
Vietnamese and Indonesian. Each language was translated and then
reviewed on its own. English no longer reads "1 files", "1 updates
available" or "photo(s)".
Count labels shown next to a number now take that number too: the
atlas and admin statistics, the trip cards, journey and shared trip
pills, packing templates, receipts, storage usage, the Studio export
note. A heading that shared its key with a counted label keeps a key of
its own (the boarding pass heading, the Bookings tab), so languages that
put a noun after a number in the singular keep a plural heading. The
plugin hosts chip passed its count through .replace() after t() and
never got a form; three toasts sent the count as text. Mail and push
texts for shared photos and suppressed storage failures pick their form
in code through pluralForm.
A whole number sent as text counts too, which is how in-app
notification params arrive, and the plural rule follows the language of
the strings on screen while another one still loads.
The parity check knows which forms each language needs and refuses
missing and impossible ones. It also reads keys that contain a colon
now: it skipped them, which hid 58 missing plugin permission texts in
Catalan and 35 in Vietnamese, both translated. The client parity test
covers every language of the registry instead of a hand-kept list of 19,
and the placeholder spec lets a form spell its number out only where
its category is that one number. Brazilian Portuguese error screens
were in Breton, and an Arabic dashboard label held Hebrew text.
Maurice