8 Commits

Author	SHA1	Message	Date
Maurice	5a8ff16afa	test(studio): the shape swap test finds the ellipse by its translated name	2026-10-24 11:28:13 +02:00
Maurice	84e18e4954	fix(studio): paste style, the page background, layouts and fill page keep the engine's rules ... Paste style wrote the copied fields straight onto the element, although a pasted look is meant to be the style operation the assistant sends. It now runs the engine's own restyle (bookElementStyled): a colour or face pasted by hand takes the element off the theme, so the next theme applied no longer brings the old colour back; a plain fill replaces the paint of the shape it lands on instead of staying hidden under it; and a line takes another line's look without its points, which are its course, not its look. A background picked by hand in the inspector kept the page's link to the theme, so the next theme applied set the page back to the theme's colour. The picker and the background operation now paint through one helper that takes the link away (withSpreadPaintByHand). Giving one page's background to every page carries that page's link along, or takes the others' away when it was painted by hand. A built-in layout, a book's own layout and laying a page out again from its entry ignored locks in the Studio: a locked shape was dropped and a locked photo poured into a slot unlocked, while the assistant's layout operation left both where they were. All four now lay a page out around its locked elements through one function (layoutAroundLocks), which the engine's layout operation uses too. Fill page and fill spread kept the photo in its group, so the background picture was selected and dragged with its caption and listed under the group at the front. It leaves its group as the engine's fill does, and a group left with one member goes.	2026-10-24 04:06:27 +00:00
Maurice	bdf5767a5f	feat(studio): rebuild both side panels around one head, one row and one order ... The rail lists its sections in the order a book is made: Pages, Content, Layouts, Elements and Travel, then Theme and Layers set apart below a rule. Stickers are a tab of Elements beside the icons instead of a rail section of their own, and Elements has six tabs (text, shapes, lines, frames with the grids, icons, stickers). The quotation mark moved to the text styles, the outline rectangle to the basic shapes and the plain rule to the lines. The rail and every tab row are tab lists the arrow keys walk through, and a long name wraps instead of being cut. The icon and sticker searches say in the field how many match, which the sticker library's own head used to. Every panel on both sides opens on the same head, and every labelled control uses one row that moves the control under its label when the two do not fit, so no label sits in a fixed column any more. Number fields, chips, sliders, tab labels, theme names and travel cards wrap the same way, a country beside a stop wraps under itself, and an upload cell holds its words to two lines with the whole label in its tooltip. The heads, shelves and groups are real headings, so a screen reader can walk the panels by them. The inspector shows every kind in one order: what the element is and says, its position and size, its look, its effects, then Arrange. Align and the stacking buttons are one Arrange group with a button that opens the page in Layers; its rows sit under their labels, each in two sets that move to a second line whole. Rarely used groups start folded and open on an element that already uses them (a turned element, a map held at a zoom, a summary set in another face), and every group mounts afresh for the next selection. A sticker's duplicate angle and opacity are gone in favour of the shared position group, which now has the turn buttons for every kind. With several elements selected it keeps their angle, opacity and turn, and the mirror when all of them are stickers, and leaves the frame's numbers to one element. A photo's fill page and fill spread sit under its crop. With nothing selected the inspector shows the page background, the book's theme with the way to the Theme panel, and the page numbers. Seventeen translation keys nothing has used since before the rebuild (the old inspector title, the empty spread note, the summary and country list names, the roads buttons and others) are gone from every language. The broad key template the old panels used had counted them as reached; the format names, the empty photo grid messages and the map source hints are now named where the key check can read them. Also fixed on the way: the travel stops list shared its class with the gradient stops and was laid out as sixteen pixel handles; the alignment buttons were named in raw English; the map's print resolution note joined its two halves with a dash.	2026-10-24 03:08:27 +00:00
Maurice	c6b3f609b7	fix: dev green after the Studio, place picture and tour merges ... The ids of long catalogues (fonts, shapes, patterns) read as a checked string in the book tools' schemas, so restore_book_page and the page edit stay under their ceilings. The lightbox takes its reading direction from the language. Baselines follow the removed avatar upload and the lower counts, the doubled NEWER constants and three unused imports go, the locale indexes are sorted, and the place gallery, picture, sheet, inspector weight and paddle tests follow the merged behaviour.	2026-10-23 21:58:43 +02:00
Maurice	23c446b7e9	feat(studio): paint shapes and pages with gradients, alpha and twelve patterns ... - A shape and a page take a paint: one colour with its own alpha, a linear or radial gradient of two to six stops, or one of twelve patterns (checks, gingham, stripes, pinstripes, dots, polka dots, zigzag, waves, grid, scales, sunburst, confetti). fill, gradient and background keep the colour that stands for the paint, so an older reader still draws something close, and a plain colour or the old cover fade is stored in the old fields alone. - Gradients render as SVG in user space with ids per mounted copy, so the two halves of a spread in page mode never share a defs id; patterns are drawn out as geometry clipped to the outline and capped at 2000 primitives. - The new paint picker has none, solid, gradient and pattern tabs, a stop bar to click, drag and pull stops off, an angle dial, a radial centre pad and pattern tiles drawn by the page's own generator. - Every swatch row gains the book's own colours, colours read from the page's photos, recent colours and, where it applies, an opacity slider. - With nothing selected the inspector sets the page background, gives it to every page of its kind, and lays a photo under the whole page. - The assistant's background operation takes a paint as well as a colour, style and add set a shape's paint, and describe_book_page reads both. - BOOK_SCHEMA_REV goes to 2.	2026-10-23 21:05:10 +02:00
Maurice	a11c8bfaa7	fix(studio): the travel panel builds its tiles with the book engine's factories ... Figures, countries, maps and marks placed from the panel are the elements the assistant adds, built by the shared factories; the panel keeps only their placement. A trip map no longer carries the whole journey's trail, switching a map's scope re-cuts it the way the engine does and clears the roads of the old legs, and switching back to the whole journey restores the trail.	2026-10-23 01:45:16 +00:00
Maurice	6cbefd23e8	feat(studio): filter photos by entry, upload from Studio, and switch stops off ... The content browser gets a filter over the journey's pictures: all of them, the ones no entry holds, or one entry at a time, with the day and the place under each name. An entry card in the Entries tab reaches its own pictures the same way. Pictures can now come in without leaving Studio, into the entry the filter names or into the gallery, from the panel or dropped straight onto the page, and a photo element can fill its page or the whole spread in one press. Stops can be taken out of the arithmetic. A journal entry carries a stats_excluded flag; an entry that has it is off the route, out of the distance, out of the countries and not a step, while staying in the journal. Studio lists every stop in the travel panel with a switch, the entry editor carries the same switch on desktop and phone, and the entry card says when a day is off the route.	2026-09-03 10:47:08 +02:00
Maurice	eae8480728	feat(studio): follow-ups from using Studio on a real journey (#1984) ... * feat(studio): widen the document, and stop a save from losing it The schema gains what the elements coming after it need: an icon element, a badge that can be restyled rather than only placed, a date and a pair of coordinates on a text binding, and the map's route, pin and road settings. Widening it turned up two ways a book could fail to come back. The mood badge writes its code into the document, and the schema said that code was exactly two characters, from a first draft where it was a country. The real codes are words, so every save was rejected and the read that followed parsed to an empty document: seventeen spreads in, nothing out. Widened to what the badge actually writes, and normalizeBookDocument now drops the elements it cannot read rather than the whole book, so one bad element costs a picture frame instead of a year of work. The other was the body limit. The parser allowed 100kb for everything, and a book with a routed map measures past that, so the save came back 413 and the editor sat on "not saved" with no way forward. Book writes get their own parser at 8mb; everything else keeps the limit it had. * feat(studio): a date, a pair of coordinates and an icon library Three things that had to be drawn by hand before. A journal entry knows when it happened and where, and neither could be put on a page: you read the date off the entry and typed it into a text box, where it then stayed while the entry moved. Both are chips now, next to the title and the story, and both follow their entry the way the others do. The formatting lives in one place so the chip, the template and the resolver cannot drift by a character — coordinates in degrees or decimals, the date in the reader's language. The icons are the whole Lucide set, searchable, placed as a real element with its own colour and stroke rather than as a character in a font. The stroke is deliberately not called strokeWidth: three separate places rescale a field of that name by page width, and an icon whose line thins as the book grows is not what anyone asked for. And the badges finally have their settings. A mood or weather badge could be placed and then only moved: the icon's colour was fixed, the icon could not be turned off, and there was no way to keep the icon and drop the words. All three are switches now, with the colour following the badge unless you say otherwise. * fix(studio): let a placed entry field follow its journal entry again The inspector says a bound field follows the journal entry and that editing it here breaks the link. The first half was not true: nothing ever re-read the entry, so renaming a title in Journey left the old words on the page for good, and the same went for every other bound field. The resolver runs where the journey is loaded and re-reads the fields that still point at an entry. What it will not do is as important as what it does. A field somebody has typed over stays typed over, an entry that is gone leaves its element alone rather than blanking it, and an entry that answers with nothing never wipes what is already on the page. Formatted fields — the date, the coordinates — are only re-read when the format itself changed, which is what keeps this from quietly rewriting books that already exist: an entry whose date was placed as a heading and then set in capitals keeps its capitals. Checked against the real database before it shipped, where the first version overwrote three of them. * feat(studio): start a new book empty, with six layouts to choose from A new journey opened onto a book that had already been laid out, which is the wrong first move: it decides the shape of somebody's book before they have seen it, and undoing it means deleting pages one at a time. A new book starts empty now, and the auto layout runs when it is asked to. The layouts themselves went from two to six, so choosing one is a real choice: what was there covered a photo-heavy spread and a text-heavy one and nothing in between. * fix(studio): hyphenate the export the way the editor does, and set the bleed Two things the press sees and the editor did not. A paragraph broke in different places in the PDF than on screen. The print document is written from scratch and never carried a language, so the browser hyphenated the editor's German and the export's nothing-in- particular. It takes the page's own language now. The wait for the sheet to be ready also covers the images inside SVG, with a ceiling, so a map that is slow to draw does not print half-finished. And the bleed and the safe margin are typeable. Both were baked into every page preset at what a photo-book vendor usually asks for, 3mm and 5mm, with no control anywhere. That is fine until a printer asks for 5 and 10, at which point the book cannot be made here at all: the export carries the wrong bleed and the crop marks sit in the wrong place, which nobody finds until the guillotine has run. * feat(studio): rebuild the inspector The panel on the right had grown by accretion: every element type had added its own controls in whatever shape suited it that day, so the same idea — a colour, a size, a toggle — looked different depending on what you had selected, and long panels were a wall of unlabelled fields. It is one set of controls now, used by every element: foldable sections, a line that holds a label and its control, radio choices, checkboxes, the app's own toggle, and a number field that holds a draft so typing "500" is not read as "5", clamped and written back under the cursor. Duplicated controls were merged rather than deleted; nothing an element could do before it cannot do now. The head carries the element's identity and its actions, so what you have selected is readable without counting fields, and the sections have room to breathe: what was there was correct and unreadable. * feat(studio): a route map worth printing The map in a book was a straight grey line between grey dots on a tile that was chosen for a screen. At print size those tiles are read at roughly four times the resolution they were fetched for, which is why it looked soft next to everything around it. The imagery comes from sources that hold up on paper: NASA's shaded relief and EOX's cloudless Sentinel-2, both licensed for it, picked at a zoom that matches the printer rather than the screen. Tiles are fetched at twice the density where the source offers it, and the seam between them scales with the tile instead of sitting at a fixed fraction of a millimetre, which under editor zoom fell below one device pixel and showed as white threads. The route is drawn rather than plotted. A leg that was never recorded bows, by an amount that grows with its length and turns away from the pole, and it dashes, because an inferred line should not claim to be a track — a recorded track never bows. Both strokes are laid down in two passes, casing then core, so the line stays legible over dark sea and bright desert alike. Legs can follow roads instead, routed leg by leg with the geometry thinned before it is stored, which is the setting a road trip wants and the one a flight cannot have. Stops carry their own first photograph, cut to a circle by a stencil that exists — the first one was written into a defs block that only appears on a map clipped to a coastline, so on an ordinary map it clipped nothing and the photographs sat square on the page. A stop with no photograph of its own is numbered rather than handed one from elsewhere in the journey: a marker at one place showing a picture taken at another is a caption that lies. Whatever the frame, the whole route is inside it. The window takes the frame's aspect, so the fit and the imagery agree instead of one containing what the other covers, and a map dragged narrow no longer cuts off its end. Each linked trip can carry its own map, and a map notices a photograph added to a stop afterwards rather than having to be placed again. * i18n(journey): the new Studio strings, in all 23 locales * test(journey): pin the coverage the map work brought with it The journey domain measures higher than its floor after this round, so the floor follows it up. Only journey moved; the generator's suggestion would have taken memories' functions down a point, and a ratchet that can fall is not a ratchet. * test(studio): cover the thinning that keeps a road route saveable The one path in roadRoute nothing exercised, and the one that matters most: a router answers a long drive with thousands of points at a precision no press can resolve, and all of it goes into the document. Keeping a leg whole is what pushed a real book past the body limit. Both ends have to survive so the line still meets its stops, and the spacing has to stay even, because cutting a run out of the middle would straighten exactly the bends somebody wanted to see.	2026-08-20 15:43:27 +02:00