Once a store was connected for a trip, its address and login could only be
entered again after a sync run had been refused, and the stored connection
could not be removed at all: the server's DELETE route had no way in from the
app. A binding's settings now open the connection at any time, the folder
picker leads back to it before a folder is chosen, and the connection form
removes a stored connection after a confirmation, on the desktop panel and the
phone sheet alike. Removing it drops the trip's bindings through it; documents
stay on both sides.
Closes#2842
create_day_note and update_day_note described `time` as a clock label and capped
it at 250 characters, while the planner shows it as the Markdown body under the
title and allows 2000. The assistant put long text in the title and had to cut
notes it was asked to edit. Both tools now take text and time from the REST
contract with descriptions naming title and body, and an update still refuses an
empty title. The assistant's change card labels the two fields title and content
instead of text and time.
Closes#2840
Auto layout gathers journal entries with no photo and no text, one after the
other, onto one list page instead of giving each an empty page. Its heading
said "Stations" (German "Stationen"), which read as train stations and gave
no hint why those places were on it. It now says "Along the way" in every
language; each stop still carries its date.
A GPX track imported in 4.x is a plain place: a line, no tours row. It never
showed under Tours, and importing the same file there was refused as a
duplicate by its name, so there was no way to turn it into a tour (#2810).
The tour import now takes over a track of the trip that has the same name
and is no tour yet: the place keeps its name and line and gets the tours
row, with the recorded times the file adds. The preview says so instead of
"Already in the trip". New and taken-over tracks commit in one transaction.
Connecting an own server asked Ollama's /api/tags and gave up on any answer
that was not a 404, and every failure, a refused key included, read as "not
responding". The model list is now looked for at /api/tags, at the address as
entered and at /v1/models, an answer only counts when it is a list, and a
refused key or a server that answered without a list say so (#2808).
AI parsing through an own server always called Ollama's /api/chat, which an
OpenAI-compatible server such as Groq answers with 404. A server without it
now gets the same extraction over /chat/completions at the address as
entered (#2806).
TREK 5.0 left most registry plugins blocked because their authors still declare
"<5.0.0", and the only way past that was TREK_PLUGINS_IGNORE_TREK_RANGE for every
plugin at once. An admin can now install or switch on one such plugin after a
warning; the consent is kept on its row for that plugin version and TREK major,
so an update or a new major asks again. The environment switch works as before.
Discover marks a plugin not confirmed for this TREK on its card, and Install opens
the warning first. Admin > Plugins reads cleaner: one row of alike facts per plugin
with each state that needs attention on its own line, type, status and order behind
one Filter button, and the containment notes in a dialog behind the shield in the
header. The row, the filter menu and the dialog moved into their own files.
An imported hotel was looked up once, by its name and its address together.
A booking site's romanized address (Agoda for a stay in Japan) often matches
nothing and sank the hotel's name with it, so the place was created without
coordinates and silently never showed on the map.
The review now finds the stay right away (name and address, then the name,
then the address) and says under the address whether it is on the map and
where, or that it is not yet, with a way to search again. Picking an address
suggestion sets the spot by hand. The save uses that spot, falls back the same
way when there is none, and a stay saved without a spot says so in a toast.
Desktop dialog and phone sheet share the lookup through useReservationForm.
A token whose account has no local ActivityPub author was reported as
invalid_response, which the settings show as 'The answer did not come from
wanderer', although wanderer had answered fine. It now has its own code,
no_author, with a message in every language that says what is missing.
The update dialog now shows the 5.0.0 headliners, Tours, TREK Studio, the assistant and help on every screen in 27 languages, each with a drawing of its own, translated into every language TREK ships. The 4.3.3 cards and their drawings are gone.
A Photo credits link in the dialog's footer opens a second view with every photo: its title linking to its page on Wikimedia Commons, its author and its license linking to the deed. The list is its own chunk, loaded when a visitor opens it. The countdown test reads the clock the interval moved.
The demo account can look at its Account tab, API keys, MCP configuration,
own AI connection and language, but not change them, and the server already
refuses each of those writes. DemoLock renders such a section dimmed and out
of reach under diagonal stripes in theme tokens, with a small Demo mode badge
and one line saying why; useDemoAccountLock decides, on the desktop settings
and the phone screens alike (a new pair in feature-pairs.json).
Locked: the whole Account tab (profile, password, 2FA, passkeys, deletion),
API keys, the MCP card with its tokens and connected apps, connecting an own
AI model and the language picker, which shows English. The admin of a demo
instance sees everything unlocked, 2FA included, so the old instance wide
"Not available in demo mode" line under 2FA and its key are gone from all
locales.
The old popup was a narrow white card with its own copy of the texts in
eight languages, hex colours and a minute counter on the browser clock. The
new DemoWelcome is a wide dialog on DialogShell with theme tokens only: what
TREK is in one line, the hourly reset with a live countdown in the server's
time zone, the 5.0 highlights to try right away (trip planner with bookings
and costs, Tours with 3D terrain, TREK Studio photo books, live
collaboration, Journey, Atlas, Vacay, Collections, offline use), what the
demo leaves out and what the full version adds, and the link to the source.
Its strings are real i18n keys in a new demo domain file, translated into
all 27 locales. Both dashboards open it instead of the old DemoBanner, which
leaves the theme and format baselines with its file and the test non-null
assertions it held.
MapLibre 6 and Mapbox GL 3 both throw out of their Map constructor without
WebGL2. Every place that builds a GL map now asks one helper first,
components/Map/glSupport.ts, and a browser without WebGL2 gets the Leaflet
map with the user's tiles instead of a map that fails to start:
- the trip map (MapViewAuto) and the journey maps (JourneyMapAuto) pick
their renderer through useGlRenderer, which folds in the Mapbox token
rule they each had;
- the settings preview, desktop and phone, shows the Leaflet preview
through useMapSettingsForm and says why under it;
- the tour planner keeps the 2D map when 3D is asked for and says that
3D needs WebGL2;
- the PDF route map and the Leaflet vector basemap already fell back and
now report a GPU failure too.
Behind the probe, buildGlMap wraps each constructor (MapViewGL,
JourneyMapGL, the settings preview, the terrain map, the PDF map). A GPU
that claims WebGL2 and still refuses the context is reported through
utils/webgl, which turns the answer to no and tells every mounted map,
so they switch to Leaflet without a reload; any other error is still
thrown. Two new strings, map.webgl2.fallback and map.webgl2.terrain, in
all 27 locales.
The four new photo link tools join the journal's tools: the journey chat
offers them to editors, the trip chat loads them with the journey group and
the home chat keeps none. A journeyPhotos card shows the photos as
thumbnails with the entries they leave and reach, the first one marked as
the cover in a new order, and a caption old to new; a library add shows the
photos once they landed. A linked photo comes off again, an unlinked one
goes back, moved photos go back and a caption is written back, each while
nothing changed since. A new order of an entry's photos and a library add
have no way back yet. The journal prompt names the photo tools.
The update card silently left out the tags and the pros and cons it was
about to write, so the user approved a change the card did not show. An
entry now shows its first tags and how its verdict leans, and an update
names the tags, each side of the verdict and the coordinates it changes.
A new order of the entries is drawn as the entries that move, in their new
places. A changed entry is written back from what the tool answered it
replaced, and a reorder is taken back to the order before, each while
nothing changed since. A Dawarich stay taken in as an entry gets the
entry card; it has no way back, since deleting the entry would leave the
stay marked as taken in.
Starting a journal, changing its settings, linking or unlinking a trip,
bringing back its suggestions, the user's own view of it and deleting it
fell back to the generic card, which names ids and offers no way back.
They now share a journeyHeader card: the journal with its trips, the one
the change links or unlinks marked, what a new journal brings in and what
a deletion or an unlink takes, and each setting old to new in the
journal's own words. A new journal is deleted again while nothing was
written, added or laid out in it, changed settings are written back from
what the tool answered, a linked trip is unlinked by its owner while none
of its suggestions was written up, and the own switch flips back.
On /journey/:id the assistant window and the phone's assistant screen now
open the journey's conversation, the one TREK Studio holds too, instead of
the home chat; the Studio route keeps its own column. A turn sent from a
chat the Studio does not host names the journal page, a hosted one the
Studio, so the server offers the right tools. A journal card from the home
chat opens that conversation in place on the desktop and the journal page
on the phone, and the empty chat asks about the journal rather than the
book.
Asked on /journey to create "Japan 2026", the home chat had nothing to
offer: it keeps no write that names a trip or a journey. It now keeps
create_journey, whose trips the tool checks one by one, and delete_journey,
which the journey's own chat leaves out because the conversation goes
with it. For anything inside a journal it offers open_journey_chat, the
twin of open_trip_chat: the journal is read from the user's own journals
and shown as a card whose button goes on in the journal's chat with the
question waiting there. The trip and journal cards share their question
and button.
The chips offered to keep an attached file in Files, but nothing could do it:
the assistant's upload_trip_file stays denied, and the file never reached
Files. A new server write, keep_attached_file, is offered to the model where
the thread holds an attachment and held as a change card naming the file and
the booking, expense or place it goes with.
Applied, it runs the checks of a Files upload with the user's rights (the
demo block, the trip, file_upload and file_edit for a link, the instance's
file types, every linked id on the same trip), copies the bytes to a trip
file of their own, and writes the trip file, its expense link and the
attachment's pointer to it in one transaction; the members' planners get
file:created after it. A second keep of the same attachment answers the file
kept the first time. FilesService gains storeBytes and discardBytes so the
storage write stays out of that transaction.
The receipt opens the Files tab; the card's verb, its "Attached to" row and
the receipt's open label are new keys in all 27 locales. Undo is not offered:
no tool takes a trip file back yet.
The assistant could not read a file the user attached: the bytes were gone
after the request, the thread only held the file's name, and read_trip_file
stays denied because it would send any document of the trip to the provider.
A new server tool, read_attached_file, reads only the files attached in this
conversation by this user; any other id is answered "No such attachment in
this conversation.", whoever it belongs to. It is offered in a trip turn whose
thread holds a file with text. The first read of a file is held as a change
card that names the file and the model and host its text would go to; once
the user agrees, the agreement is kept on the attachment and later reads run
at once. The text reaches the model through the history and, for a later
read, as a tool answer only the model gets (AgentToolRun.modelText): no message
part, stream chunk, shared answer or client store ever carries it.
The model is told each kept file's attachment id, and the standing
instructions say to read the file when the user wants to work with it, to
propose a booking found in it through create_reservation and then to offer
keeping the file with it. The card's verb, its "Sent to" row and the step's
name are new keys in all 27 locales.
A booking file without a booking ended the answer on the error "No booking
found in this file." with no action, and the user was left to type. Now the
server answers every booking file itself, without a model: one line that
names the file and what TREK found in it, or that it found nothing, why, and
asks what to do with the file. Under it come up to three chips, picked from
what the user may do on the trip and what the file allows: keep it in Files,
make a booking from its text, attach it to a booking or an expense, ask what
is in it, or keep it with the booking just found. A chip sends its words as
an ordinary chat message.
The line and the chips are written in the language of the request from new
assistant.attach.* keys in all 27 locales, through a small helper the sports
proposals now share. The empty answer finishes as stop; no_bookings_found
stays in the contract for the threads older builds wrote. Route files keep
their answer as it was.
"The whole book" now lays the book on the designed templates through
autoDesignedBook, in the book's own page format and theme (a recoloured
one of its own included), its title kept and every page holding a locked
element kept; each press takes a new seed, so a second press gives another
book, one undo away as before. "This spread" lays the page on another
design than the one on screen and its neighbours, its id kept, and now
works on the cover, the summary and the countries too, so the menu offers
it wherever the auto layout knows the page. Loose gallery photos reach the
layout with the day they were taken, which it shares them out by. The
menu's two hints say what the button now does, in every language. Nothing
here places the classic summary, countries or marks any more.
Every style now has four covers and five double spreads, 108 in all, and the
spreads of each style take different photo counts, from a words-only page to
eight photos, so a book can be laid on them without an empty frame. The five
new styles come with their own themes: Riso (overprinted spot inks), Magazine
(a travel magazine), Retro travel (vintage posters), Midnight (a dark film
look) and Field notes (a traveller's notebook). Each new style has a cover
composer for the design engine and a recipe for the assistant, and its chip,
theme and template names are translated into every language.
The card that opened claude.ai's custom connector dialog for this instance
goes, with its phone twin, the line in the assistant setup that jumped to it,
its endpoint and its contract. Anyone who wants Claude uses TREK's MCP
server under Integrations, or an Anthropic key in the assistant. It came with
the assistant and never shipped in a release.
The screen texts name the top bar, the rail and the workbench as they are
after the redesign, the travel guide walks through the four tabs, and six
new guides cover what Studio gained since its help was written. Every
Studio picture is taken again, and all texts are translated.
The addons sit in a card per type now, the way every other admin tab sets
its cards, instead of three columns nested in one card. A head card shows
how many of each type are on and finds an addon by its name or description,
with a switch between all, the ones on and the ones off.
The travel tab is four tabs now, figures, maps, countries and marks, and
offers only the newer looks, each dressed in the book's theme and linked to
it. The looks books already hold still draw on their pages exactly as
before; they are just no longer offered.
- Figures: a summary as a poster, a ticket, tiles, a road sign, an
odometer, a handwritten note, a pencil sketch or a band, and each figure
on its own as a medal, on odometer drums or ringed by hand.
- Maps: the route with its photographs, its stops numbered, its two ends
marked or on a dark ground, over satellite or relief imagery, a map per
trip, and a map of each country with its stops alone, cut to its shape.
- Countries: each country as a passport stamp, a visa, an airmail
postcard, its flag in cloth, a map pin, a luggage label or a sketch.
- Marks: the date, the day, the distance, the coordinates and the flag as
stamps, tags, pills, ribbons, die-cut stickers, embroidered patches and
sketches.
The schema gains a summary's and a country's look, seven mark styles and
the numbered and ends stops of a map, all additive, as revision 11.
Also in Studio: the save state is a tile beside who is here, a book a newer
Studio saved is said by an overlay that holds the whole Studio until it
reloads, and the page rail draws the first and the last page beside the
blank inside of their cover. The notifications page and the bell's panel
take the dialogs' look: a head with a tile, cards with an unread dot, and
tools that come forward on hover.
Every piece of the head row is one raised tile of one height: the format
picker moved beside the tools, the assistant and help stand alone, the
close button is square like the rest, and the beta mark is gone. The
layouts tab lays the book's own and the built-in layouts out in sections
and in the same grid as the designed pages. In the theme panel the accent
dots sit in the sheet's corner, the three accents share one name, a font
keeps its name ahead of its kind, a doubled rule is gone, and the
inspector's empty hint is shorter.
About 2900 strings still carried the `// en-fallback` placeholder and some
3100 more were unmarked English copies, most of them from the Studio, the
assistant, OAuth and the date picker. Every one of them is translated now;
where the English word is the locale's own one (German "Status", "Backup"),
it is kept and marked `// same-as-en`. Placeholders, markup and product names
are unchanged.
"Studio", the photo book editor's name, joins Atlas and Vacay on the
untranslated check's list of names. The baseline drops from 2900 marked and
3100 identical strings to 1 and 158.
Removing a member deleted their membership row only, and the invite link
checked nothing but its own token, so whoever kept the link walked straight
back in (GHSA-wr4c-964p-39jg).
trip_member_removals now notes who another member took off a trip. The invite
link refuses them on preview and on accept with a 403 that says so, old link
or regenerated, and the join page shows that instead of the join button.
Adding them back by name, or through a trip-bound invite or a plugin acting
for a member manager, lifts the note. Leaving a trip yourself leaves none, so
the link keeps working for whoever left and for everybody else.
The names on the rail and in the tab rows the rebuild puts first (Pages,
Content, Layouts, Elements, Shapes, Text, Photos, Entries) were still English
placeholders in twenty one languages. They carry each language's own word now,
and so does the quotation mark, which the Text tab shows as a word under its
tile instead of only in a tooltip. The Frames tab's name was already translated
in those languages and loses the placeholder mark it still carried.
The help on Studio and the wiki describe the rail as it is: seven sections,
Theme and Layers set apart, the stickers under Elements, and the inspector's
order.
The rail lists its sections in the order a book is made: Pages, Content,
Layouts, Elements and Travel, then Theme and Layers set apart below a rule.
Stickers are a tab of Elements beside the icons instead of a rail section of
their own, and Elements has six tabs (text, shapes, lines, frames with the
grids, icons, stickers). The quotation mark moved to the text styles, the
outline rectangle to the basic shapes and the plain rule to the lines. The rail
and every tab row are tab lists the arrow keys walk through, and a long name
wraps instead of being cut. The icon and sticker searches say in the field how
many match, which the sticker library's own head used to.
Every panel on both sides opens on the same head, and every labelled control
uses one row that moves the control under its label when the two do not fit,
so no label sits in a fixed column any more. Number fields, chips, sliders,
tab labels, theme names and travel cards wrap the same way, a country beside
a stop wraps under itself, and an upload cell holds its words to two lines
with the whole label in its tooltip. The heads, shelves and groups are real
headings, so a screen reader can walk the panels by them.
The inspector shows every kind in one order: what the element is and says,
its position and size, its look, its effects, then Arrange. Align and the
stacking buttons are one Arrange group with a button that opens the page in
Layers; its rows sit under their labels, each in two sets that move to a
second line whole. Rarely used groups start folded and open on an element
that already uses them (a turned element, a map held at a zoom, a summary set
in another face), and every group mounts afresh for the next selection. A
sticker's duplicate angle and opacity are gone in favour of the shared
position group, which now has the turn buttons for every kind. With several
elements selected it keeps their angle, opacity and turn, and the mirror when
all of them are stickers, and leaves the frame's numbers to one element. A
photo's fill page and fill spread sit under its crop. With nothing selected
the inspector shows the page background, the book's theme with the way to the
Theme panel, and the page numbers.
Seventeen translation keys nothing has used since before the rebuild (the old
inspector title, the empty spread note, the summary and country list names,
the roads buttons and others) are gone from every language. The broad key
template the old panels used had counted them as reached; the format names,
the empty photo grid messages and the map source hints are now named where the
key check can read them.
Also fixed on the way: the travel stops list shared its class with the
gradient stops and was laid out as sixteen pixel handles; the alignment
buttons were named in raw English; the map's print resolution note joined its
two halves with a dash.
Both go straight to the server. While an edit of the same tour still waited in
the queue, the restore went out first and its answer replaced the cached edit,
and the edit replayed afterwards planned the track over again. A copy copied
the server's older line instead of the one on screen. Both now wait the way the
actual track writes do: offline, behind a queued write of the tour, or for a
tour the server has not got yet they refuse with OnlineOnlyError, and the
planner says a connection is needed and the waiting changes go first, in all
27 languages.
- design_book takes a brief (energy, decoration, collages, theme), a cover
archetype and a cover lockup, and pages.overrides that give single pages of
the plan another beat or layout. Directives written before parse as they
did, and a design asked for none of it is composed exactly as before.
- The engine composes the seven cover archetypes from the book's own photos,
words, theme faces and colours, lockups, shapes and stickers, varied by the
seed: spine band, poster pop, cut-out, illustrated postcard, grid and
badge, minimal serif and stamp collage. A title the directives give a
display tier is held to it, and the notes say when a band, a badge or a
stamp holds it smaller or a cover leaves a layout out.
- A lively or loud book turns two in five hero and grid spreads into
collages, script overlays, badge grids, stamp rows or two-tone splits, the
first of them always, turns and frames the prints of its other pages, sets
its cover title larger and takes one or two, or three to six, stickers of
its theme's motifs a spread, never over words, a photo's detail or the
fold. A calm book asked for collages gets them and nothing else.
- Every turn the engine gives a print or a sticker stays within what the
brief's energy takes, a calm book's within its theme's own, so a design is
never judged against its own brief.
- New checks name a flat cover, a page without a lead, colours or faces off
the theme and, for a design made with a brief, a book livelier or calmer
than it asked, on the pages the design made and on a page revised in the
draft. Page edits answer with the art checks too, and the assistant's
cards name them in every language.
- list_book_assets lists the shapes, faces, lockups, themes and patterns
beside the stickers, and the Studio's shape groups and photo frames are one
list the assistant reads too.
- The Studio prompt gains an index of themes, archetypes and faces and JSON
recipes of the elements to add and style for each cover and three lively
spreads, and a turn that designs the book may preview sixteen pages, still
three images a request; a viewer is told of none of it.
The Templates section of the rail now opens on the decorated templates of
the page's kind, covers two to a row and spreads at full width, each card
the page renderer drawing the page the click will lay: this page's photos
and words in it, in the book theme, a cover in the journey's title and
subtitle as the assistant's layout sets it. A row of style chips narrows
the set to one archetype. A click is one undo step on the page as it is
then, refused for the other kind of page, and opens the photos when frames
are left empty. The book's own layouts and the built-in wireframes follow
below, and the help guide and the wiki describe the panel as it now is.
The panel moved out of StudioSidebar into its own file; the sidebar keeps the
rail, and its two physical sides went with the code, so the rtl baseline
entry goes too. The Travel panel and a template's map build the journey
they draw with one helper.
A decorated template is a whole designed page kept as data: full document
elements in fractions of the page they were drawn on, with roles for the
photos and words a page brings, links to the theme for its colours and
faces, groups for its lockups (a title with its date line, a badge with its
words, a stamp with its postmark) and an archetype with tags. Seven cover
archetypes in three variants each and sixteen double spreads ship in
shared/src/book/templates/data.
Laying a page out on one pours its photos into the photo roles in order and
its words into the title, subtitle, date, story and caption roles, takes
the words it has none for from the book or the journal entry, sets the
template in the book theme, scales it to the page format with its bleeds
on the bleed of that page, and parks what has no room, a date line the date
mark was not made of included. A text set on a colour is made to read there
at the size it was fitted to, on a band of ink or paper when neither reads.
A mark set as text, such as a large quotation mark, is design to every
layout and never taken for the words of a page.
A fitted text keeps the size it was drawn at as its ceiling, so a shorter
title grows back, and every fitted text is now solved with eight percent of
headroom on letter width: set in the browser, the bold condensed faces and
several scripts run that much wider than the letter measure, and a fit at
exactly the measure wrapped its last word out of the frame.
The layout operation of edit_book_page and revise_book_design takes the new
ids as a checked string and keeps the name of a locked group,
list_book_layouts lists them with archetype, tags and roles, and the design
prompt names them. A sibling extract script reads a page drawn in the
Studio back into the format, roles, tints and groups kept.
- A text can be cased (capitals, lower case, small caps), placed at the top,
middle or foot of its frame, outlined, given a hard shadow or a marker band,
bent on an arc or round a circle, filled with a gallery photo or left
hollow, and shrunk to fit its frame. Every effect prints as vector: copies
and strokes for HTML type, textPath and a clip over an <image> for SVG.
- Fitting is solved when the text is edited, in the Studio and in the edit
engine, and stored; the chosen size is kept as the ceiling.
- Text sizes reach 400 pt and tracking 1.5 em.
- The Elements panel opens on a Text tab: the plain styles and 24 lockups
(titles, badges and stamps, chapter marks, quotes, captions, places), each
drawn with the book's own title and placed as one group.
- The assistant sets every effect through style and add, places a lockup with
add_lockup, reads the effects in describe_book_page and gets two new
findings (curve_overflow, effect_heavy) beside photo-fill and band checks.
- Book format revision 6.
- Fifty more shapes: arches, paper cut-outs (leaves, coral, weed, organic
circles, a wonky star and sun), stamps, a postmark, a rosette, tags and
ticket stubs, sunbursts, ribbons and bands, speech bubbles, drawn arrows,
hearts, stars, photo frames and ornaments (scroll, laurel, fleuron, corner).
The broad ones are photo frames too, and each tile is drawn at its shape's
own proportions, which a new shape is also placed at.
- A cut edge on rectangles, circles, arches and the other broad shapes, painted
or not, and on a photo's cut: zigzag, scallop, a postage stamp's perforation,
wavy, torn and deckle, with a depth in millimetres. Cut in millimetres, so
holes stay round on a wide frame.
- A line element: two to 32 points dragged on the canvas (a handle pulled from
the middle adds one, a double-click removes it), straight or curved, solid,
dashed or dotted, a wave or a zigzag, a hand-drawn wobble, a head on either
end and an ornament in the middle. A shelf of lines and dividers places them.
- The assistant reaches all of it: add and style take the line (its points on
the spread in mm) and the edges, describe_book_page says them, and two new
findings say when a line is too thin to print and when an edge is set on a
shape that takes none. A photo's mask is checked against the shape set
rather than listed again, which keeps the page edit's schema smaller.
- BOOK_SCHEMA_REV goes to 6.
Photos get a look beyond crop, mask and frame style, in Studio and for the
assistant alike:
- border (width and colour, following the mask or the corner radius), a hard
offset shadow and a die-cut cutout edge, all flat vector shapes in print
- zoom 1 to 4 about the focal point and a left to right mirror
- brightness, contrast, saturation and warmth, and a duotone; these are
filters, labelled raster in print in the inspector
- the print resolution of the selected photo in the inspector, with a warning
under 200 dpi, measured from the original
PhotoView moves out of SpreadView into its own file and uses per instance
SVG ids, so a spread drawn twice keeps its clips and filters apart. The style
operation takes the look, describe-spread lists it, the dpi and crop findings
account for zoom and mirror, and a new raster_effect finding notes filters on
a large photo. BOOK_SCHEMA_REV goes to 6.
The add button reads "+ Page" with the full "Add page" as its title and
accessible name, so it no longer wraps onto two lines. The elements panel's
tabs size to their word and break onto a second row when they do not fit,
where equal widths cut the longest word.
Maurice