The Plan tab was the last trip tab still in the old design. It now reads
like Bookings, Costs, Lists, Files and Collab, without losing a function:
- Day plan: each day is a card with a head band (day tile with weather,
stay and rental pills, a "+" menu for place, stay, transport, transit
and note), rows with "..." menus, white badges and a white route bar.
- Places column: add, search and filters in three rows, a show dropdown,
category and rating filters, and a selection bar at the foot.
- Place inspector, day details and the stay editor on the shared dialog
frame; the place form in the editor look with the name in the head band.
- Clicking a booking or transport anywhere on the plan opens the booking
detail popup first; Edit leads to the editor. The popup is one host
shared with the Bookings and Transports tabs.
- Files and Collab dialogs, notes, polls, links and chat moved to the same
frame; shared DialogShell and dialogParts hold the building blocks.
- The map hover card shows the place photo and follows the theme.
Every new and reworded string is translated into all locales, and a few
older English leftovers (help center, cost split, import hints) with them.
Phone screens keep their own look.
Asked for in the feedback: a wall of round photos, and no way to tell which is
which. "Name and displaying any custom rating would be very beneficial to quickly
seeing what is around you that is of interest."
The collections map had hover switched off. The trip map has told you what a
marker is all along, so it is the same card, now shared instead of written a
third time — it already existed twice, once per renderer, and the two had drifted
in how they resolved the category icon.
The card gains a rating, and so does the marker itself: an amber disc on the
corner where a trip's day numbers sit. The two never collide, because a numbered
stop is one already planned into a day and this answers the question asked before
that. Nothing is drawn for an unrated place, which is most of them.
Also from this round: the place panel's labels move up beside the name, where a
label belongs — read three rows down they looked like a property of the rating
above them — and the rating gets a ground of its own so a line of stars stops
reading as another row of text.
Maurice